Splatterpunk has been a favorite of mine since I first received their second issue in the mail about two years ago. I love the old D.I.Y. look and feel of the thing. I also love the fact that Jack Bantry and his project have a growing legion of fans. He has also begun release chapbooks in the interim between issue releases.
Splatterpunk #7 is more of the same stuff they are known for; short and brutal tales of the horrific and sometimes strange. The issue opens with an article by Bizarro patriarch, Jeff Burk, an article in which he defends his adoration for film maker Eli Roth.
This gets us to the first story by Kristopher Rufty called “The Chomper.” A wildly off beat tale that has a familiar set up and arc but with a unique spin on the monster of the tale. A perfect small town that has a high price to pay for being allowed to live there. But instead of a beastly troll from the nearby woods or anything, we get a monster from a 1970’s Ed “Big Daddy” Roth decal. I loved it.
Jeff Strand gives us the second tale. He along with Cesare are becoming Splatterpunk veterans. In his story, “Awakening” a man with a disturbing hobby and a penchant for denial comes face to face with the consequences of his actions. Garrett Cook delivers a batshit tale that oozes dysfunction, brutality and mutilation with “Pas De Deux.” And the honor of closing out the issue falls upon Adam Cesare, one of the genre darlings and with good reason-he’s wonderful! His short “Readings off the charts,” shows us the outcome of a paranormal investigation at an abandoned mental hospital. All that is a really wordy way of saying Splatterpunk #7 is another solid issue.
Travelling across the pond with the above mentioned issue was the chapbook, Atrocious Madness. This trio of stories was written by Splatterpunk editor, Jack Bantry and Nathan Robinson. It begins with a story of death and toads called “Squish.” This collaborative story appeared in an earlier issue of Splatterpunk.
The second tale is entitled “Keep Safe” and is a Jack Bantry solo offering that concerns home invaders who pay a unique price for their greed when they stumble upon one house’s cellar secret.
The final story is by Nathan Robinson and is called “Weather Girl.” A bizarre and unsettling account of a young man with an obsessive crush on the local TV weather girl. When the crush elevates to stalking, things take a strange and disturbing twist…and just get twistier.
Another fine offering from this little press. These are great days for horror fiction and Splatterpunk is a great return to bloody roots.
Both might still be available via Splatterpunk Press.