I have long enjoyed the short fiction of Mark Allan Gunnells. I like his longer stuff as well, but I think the short story is where he shines. And why it shines is his attention to detail in character, in his taking everyday situations and incorporating a sense of oddness or unease and, at times, whimsy.
Welcome to the Graveyard is his newest collection and it’s pretty damn good. After a glowing introduction by John R. Little, “Dancing in the Dark” leads off with a sure foot. Named for one of Bruce Springsteen’s most annoying songs, this story follows a young man who feels that song is his bad luck theme and tries to avoid hearing it at all costs. “After” would be a humorous little tidbit were it not for the dark bitterness of the finale, a great smack to the face. “The Napkins” is a story that is so much deeper and nastier than it seems, and it takes the final paragraph to burn it into your brain.
“What Little Boys Are Made Of” reminds me a bit of the classic Charles Beaumont story “Miss Gentilbelle,” a version yanked violently by the hair through the last forty years and screaming and plant it firmly in the now. And it’s just as jarring when we get to the final punch. This one will stick with you.
Many of these tales are quite short, flash pieces. I was lucky enough to see a number of them as entries in flash contests and I love that he’s polished them up and served them here. One of the best is “A Midnight Errand.” Running about a page and half, this thing packs more emotion into its leanness than most novels.
The collection finishes with the title story, a tremendous tale of youth and the painful transition to adulthood, wading through the rapids of peer pressure, bullies, and self-loathing. It’s about finding the ghosts and standing up to them even when one of them is you. A great story.
Gunnells can always be relied upon to deliver the goods. His stories are sharp and I can say it’s been fun to watch him grow as a writer over the years. His prose is smooth and easy and his characters are believable. He wears his influences proudly and yet has his own identity showing through.
Welcome To The Graveyard is available through Evil Jester Press.