I’m a huge fan of anthologies and collections. They’re great for those short attention span periods when you want to read but can’t commit to anything lengthy. They’re awesome for lunch breaks and in the bathroom. (Don’t give me that grimace, you know you read in there!) The problem with them is they are most times an uneven offering of material. Several great stories sprinkled in amongst a majority of meh or even terrible tales. Once in a while you get one that knocks the cover off the ball…but that’s rarer than a four-leafed clover.
Cutting Block Press has been putting out the Horror Library series for a few years now, but this is the first I’ve gotten the chance to dig into. Thirty stories rear their ugly heads here, the majority by authors I have not read before, but a few by those I have. Let’s get into the particulars, shall we?
We open with Pat MacEwen’s “Blown,” a gritty almost noir-ish tale of death and forensics. We go then into Ian Withrow’s wonderfully bizarre story of a lonely boy and his calling, entitled “Jerrod Steihl Goes Home.” John F.D. Taff’s “The Immolation Scene” is a grisly expose on arson and treachery. “A Body At Rest,” by Lorne Dixon, one of my favorites, is a darkly sad tale of loss and grief, drenched in terror and the surreal. This is followed by J.S. Reinhardt’s “By the Time I Get To Five,” in which we meet a man trapped in his own hell.
Next up is a fantastically eerie sliver by one of my favorite authors, Bentley Little, entitled “Notes for An Article on Bainbridge Farm.” Just chilling. Sanford Allen’s “Noise” is about a concert that is not intended for everyone’s ears. Shane McKenzie’s “Open Mind Night at the Ritz” is a weird story about flesh bending and performance. I was blessed to witness him read this at KillerCon a few years ago. Shane can always be counted upon to bring the “What the fuck?” With “Almost Home,” Kevin Lucia hands us a bleak and symbolic story of loss. Michael A. Arnzen’s “Pillars Of Light” explores faith and the powerful grip it can have.
“Footprints Fading In the Desert,” by Eric J. Guingard, is a story with an almost urban legend vibe. “The Vulture’s Art,” by Benjamin Kane Ethridge, is heavy in its symbolism and grisly with its message. “Activate,” by Boyd E. Harris, left me slightly confused but seemed to carry a sinister tone. Adam Howe’s “Snow Globe” is an old fashioned tale of the repercussions of dark deeds. “Intruders,” by Taylor Grant, delivers a somber premise as to what imaginary voices are really about. And Steve McQuiggan gives us an off-kilter, slightly bizarro haunted house story with “The Boathouse.”
While not the most even anthology out there, Horror Library Vol. 5 has its fair share of solid fiction. It is a good companion for waiting rooms, bathroom breaks, and the lunch table, and is available through Cutting Block Press.