Shock Totem #10 (Jan 2016)
- Shock Totem #11—Available Now!
- The State of Shock Totem Publications, or We Are Not ChiZine Publications
- Closing for Submissions
- Shock Totem Returns!
- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
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Author Archives: Joe Modzelewski
Cellar Door is an anthology of poetry, flash fiction, short stories, and visual art that all revolves around one common theme; the cellar door. Not just any cellar door, but the cellar door that we all knew as kids growing up. The one that always made you feel a little uncomfortable but that held such terrifying intrigue. The one where you made sure to watch over your shoulder as you turned your back to it. It’s the archetype of the cellar door that is seemingly so engrained in our minds and imaginations that has come to inspire each and every piece in this collection.
Edited by Shawna L. Bernard and published by James Ward Kirk Publishing, this anthology is one of huge volume and contains dozens and dozens of pieces to get lost in, and at first glance upon the subject matter it may seem as though the theme may become a little redundant, but rest assured, this is certainly not the case.
Poems and short fiction that are included vary so much in voice, style, aesthetic, and even the use of the theme of the cellar door are so well implemented, that time and time again you are pleasantly surprised at the creativity and pure originality of each piece and each author. Influences ranging from Edgar Allen Poe to Stephen King are all present and it is really neat to compare and contrast each piece.
Flipping to any random entry will surely draw you in and soon enough, you yourself will be conjuring up your own ideas and stories about cellar doors. Each story will harken you back to a time where that aging frame and rustic door handle sent chills down spine. The diversity that can be found in Cellar Door is great and it is so easy to just get lost in a quick story or two when you may not have enough time to fully lose yourself in a novel.
If one were to examine pop-culture today and determine where exactly zombies and the undead stand, it would sort of feel as though they really do walk among us. In recent years, AMC’s hit series The Walking Dead, with now three seasons under its belt, has left zombies with an undeniable stamp on the medium of the screen.
Already in 2013, two films, Warm Bodies and World War Z, have graced audiences with two very different perspectives on, but nevertheless feature, beings that are neither dead nor alive. Countless upon countless horror films centering on zombies have been released over the decades that they, in fact, have spawned their own genre. The ‘Zombie Horror Film’ is now an immortalized subgenre of the horror flick but it goes even deeper than that as the folklore of zombies in North American culture is always being spun into more complex and varying webs of subgenre upon sub-subgenre.
Before one delves into the legend that continually grows, it is important to discover where the dead first began to walk the earth on screen. When we think of the origins of the ‘zombie,’ George A. Romero’s 1968 film, Night of the Living Dead, is certainly a movie that comes to mind and although this is partly true, it being the origin for zombies as we know today, the source goes back a bit farther than that, in fact, over 30 years back whilst in the midst of the Golden Age of Hollywood.
The term ‘zombie’ has roots reaching back into Haitian and African religion, where a zombie is someone who is an animated corpse or hypnotized into doing one’s bidding. Through voodoo and witchcraft it was believed to be possible to turn someone into a zombie. The living dead as we know them today, who rise from graves, is a little more of a recent concept. Rarely nowadays do movies that contain zombie subject matter actually depict them as traditional victims of witchcraft or voodoo; however, this was not always the case. Known to be the first ever full-length feature zombie-horror film, White Zombie is the motion picture which sparked the rise of what was to be a zombie take-over in North American horror.
White Zombie was directed by brothers Victor and Edward Halperin in 1932. The film stars the infamous horror virtuoso Bela Lugosi as well as Madge Bellamy, John Harron, and Robert Frazer. The setting of the plot actually takes place in Haiti and pits Lugosi’s character, Murder Legendre, as the voodoo master with a sugar mill full of his very own zombie slaves. Lugosi puts on a fantastically creepy performance as the antagonist. His signature stare that garnered him so much respect in 1931’s Dracula curdles your blood and is ever present in this film. The atmosphere that the film evokes is undeniably scary and the blank expressions given off by Lugosi’s zombies are eccentrically eerie and truly void of any signs of human existence. Although at times the film is a little goofy (but are not all horror films from that time a little bit so?) and the acting also sometimes cringe worthy, there is a certain amount of charm that this independent horror gem carries along with itself.
Filmed in only 11 days, White Zombie was first released to the public in 1932 in New York City, where it faced less than positive reviews. Critically, the film was seen as a joke and as a laughable parody of what ‘true horror’ could accomplish. In retrospect, though, the film is seen as a pivotal piece in the growth of horror and is seen as the first film to introduce the term ‘zombie’ into mainstream media. For that alone it is certainly worth a watch, if not for Lugosi’s stellar performance.
After White Zombie, not many other zombie films saw zombies from the Haitian perspective and after the huge success of Night of the Living Dead, it would seem that for now, that perspective of zombie has all but been lost and forgotten. The hypnotism and voodoo magic is gone and in its place now stands bloodthirsty, flesh-eating, usually repulsively gory undead. However, after White Zombie there were still several zombie films that came out before George Romero ever got his start, and these included: The Ghost Breakers (1940), King of the Zombies (1941), I Walked with a Zombie (1943), and The Plague of the Zombies (1966). None of them were hugely successful but each had their own little role in expanding and building upon zombie mythology in film.
With zombie-horror as an entire subgenre, it now appears as though sub-subgenres are expanding out of that as well. When you first want to create some sort of zombie-related flick, you have to ask yourself, what sort of zombies are we dealing with? Will the zombies simply rise from the dead or is there a virus involved? Do you need to be bit or is being scratched good enough to turn? Do the zombies specifically need to be shot in the head to be killed? Are they fast, jumping, and sprinting or are they slow, cumbersome, and lumbering? These questions and many, many more have to be answered and determined before one creates anything zombie related nowadays. When talking about zombies and zombie films, I will find myself asking questions like, “Are we dealing with 28 Days Later zombies or Dawn of the Dead zombies?” The list of characteristics that go into creating your own version of the undead is just so expansive, almost overwhelming now, that depending on which sort of zombie you wish to take on, chances are it will be very similar to some films while also very different to others, thus, the creation of a zombie sub-subgenre is created.
Infesting more than just the big screen, zombies are everywhere. Books, videogames (especially videogames), and television all host very successful zombie-related material and although some see the zombie genre as redundant and repetitive, it has been going on for roughly 80 years now and I am sure that zombies are here to stay. You can now have zombies attacking your garden on your iPhone in Plants vs. Zombies, watch Brad Pitt fend for his life against hordes of zombies in World War Z, and even read up and prepare yourself for the impending zombie apocalypse in Max Brooks’ best-selling book The Zombie Survival Guide, but just remember where it all came from; from a little Haitian plantation at the hands of a devious voodoo master practicing witchcraft and a spellbinding Bela Lugosi back in 1932.