Shock Totem #10 (Jan 2016)
- The State of Shock Totem Publications, or We Are Not ChiZine Publications
- Closing for Submissions
- Shock Totem Returns!
- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
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Author Archives: K. Allen Wood
In recent days, many in the small press have banded together in support of Ed Kurtz and others who were mistreated by those running ChiZine Publications and some of its authors. I have never had any interaction with ChiZine or its owners, but all of us here at Shock Totem Publications stand in support of any author abused by unprofessional publishers.
Sadly, through the various and many discussions across social media, one person in particular tossed Shock Totem into the fray, particularly to assail my character.
“At some point in the past year, I stepped back and realized I was slowly but surely becoming a bad publisher.”
I said that and more. There’s no need to go over it all again. There are no smoke and mirrors here.
To further add to that, there have been delays with Shock Totem 11. Life is different for me now. I no longer work third shift from home; I work day shift in the office, and I have an hour commute each way. One of my kids is now in kindergarten, the other is in preschool, and I have to drop both of them off before I head into work. My father is dying, and for the past year I have been taking care of him. If you’ve been paying attention to my Facebook feed, you know I do a lot of fishing and traveling on the weekends. All of these things and more—life has changed for others on staff as well—has dramatically slowed the Shock Totem train compared to our early days. This new issue has taught me some lessons, knowledge which will be used to alter and improve the process for future issues.
I am human, I have made mistakes, and I have owned up to them and righted my wrongs as best I could, as detailed in the posts I linked above. I won’t repeat what vile lies this person has spread about me. I have interacted with countless people in the eleven years Shock Totem has been in existence, and while I am certain not everyone—staff and authors alike—has liked me or agreed with me at times, I am equally certain you will find no one in or outside the small press who agrees with this person.
Shock Totem Publications is not ChiZine Publications. I am not the monster this person describes.
The next issue of Shock Totem is about to drop, and that is far more important. We have eleven fantastic stories from eleven equally great authors, and I’m hoping we can focus on that instead of all the drama and lies.
Cover art by Mikio Murakami.
Heads up! We will be closing for submissions on January 15.
Though our reading period runs through May, the response to our reopening has been overwhelmingly greater than anticipated. We’re nearing 600 unread submissions, and we’ve already gone through hundreds. As such, we’re going to close the door on submissions early so we can work through all that we have in the queue. Once we clear it all out, if we still need stories for our next issue, we will reopen.
Cover art by Mikio Murakami.
So if you have something to send us, send it soon!
Thanks for understanding.
Last week, on Halloween, to the surprise of many, we announced the return of Shock Totem magazine after a relatively long hiatus.
When I put the magazine on hold a few years ago, I was certain we’d return someday. The amount of time and work it took to produce the magazine had become something I couldn’t continue to manage at that time, but I was committed to bringing it back. And though the magazine was on hold, we forged on with the book line, releasing Michael Wehunt’s outstanding Greener Pastures, which quickly became our bestselling book, and had future releases by Kristie DeMeester (Everything That’s Underneath) and Kirk Jones (Aetherchrist) on deck and pretty much ready to go.
Then things changed…
In a nutshell, at some point I realized that, despite my best efforts, I had become incapable of performing the duties required to be the honest, respectable, hardworking publisher I once was—or hoped I was. And that led to my dissolving our book line, which effectively laid Shock Totem Publications to rest.
That hurt. Especially since it was my fault. I killed something I love dearly.
Then things changed again…
On February 23, 2017, a little over a month after transferring most of our books to Apex Publications, I was diagnosed with type 2 diabetes, from which, it became clear, I’d been suffering for years.
But all of a sudden, after I got over the initial fear of dying and losing everything, there were potential answers to the massive questions that had been casting shadows over my life. A few months later, with a new diet and my health on track, all those questions had been answered. I was no longer constantly tired and moody, I was motivated, positive, my mental game was on point, I was sleeping through the night. All of the things that I had previously attributed to simple parental exhaustion, work, burnout, and so forth, had become non-factors. I had been sick all along, and I didn’t know it.
Nearly two years have passed since that day. I am no longer on any diabetes medication—metformin, Invokana, insulin, etc.—and my blood sugar levels remain in the normal range thanks to a new diet and a greater understanding of nutrition and my overall health. I could certainly lose some more weight, but that’s a much slower process and will come in time. The important thing is, I’m good, I’m ready to roll, I’m committed once again.
Out of respect for our past authors, I will not resurrect our book line.
The magazine, however, is different. I put the magazine on hold when I wasn’t as sick as I would become, and now is the right time to bring it back.
John Boden, who’s been with me from the start, is of course on board, as is my wife, Sarah. Mercedes M. Yardley is back as well, and we brought some fresh blood to the table for this new chapter: Chad Lutzke, who I’m sure you’ve heard of, and Tom and Billie Moran, both of whom ran the outstanding Sideshow Press and Gallows Press before taking a break years ago. Together, we make a fine team, and I hope you’ll agree.
We’ll unleash our eleventh issue in 2019!
Cover art by Mikio Murakami.
If you want to be a part of it, please check out our guidelines here.
Thanks for sticking with us all these years!
Shock Totem Publications was born in 2008. With the help of John Boden and Nick Contor (and many more in the years to follow), we created Shock Totem magazine, of which there have been a total of thirteen issues to date. Eventually we branched out into books. We produced some great ones, written by equally great authors.
Then my wife and I had kids, and everything changed.
I’ve discussed all of this before, so I won’t bore anyone with the details yet again. The bottom line is, I’ve tried to keep it all together, but certain things have slowly fallen apart despite my best efforts. The reasons are many, but mental exhaustion is the biggest, I think. I have struggled greatly.
At some point in the past year, I stepped back and realized I was slowly but surely becoming a bad publisher. Royalty payments were late; e-mail replies weren’t sent in a timely manner if they were sent at all; promotion was non-existent; and the distance between me, Shock Totem, and our readers was growing. Worst of all, my relationship with our authors—all of whom I respect greatly and consider friends—suffered because I was not present to perform my duties as a responsible publisher.
Because of this, I have put an end to the Shock Totem book line.
Instead of simply dumping all of our authors and leaving them responsible to find a new publisher, I reached out to Jason Sizemore at Apex Publications. I have great respect for Jason and what he’s done with Apex (the original Apex Digest was the biggest inspiration for Shock Totem magazine, after all), and so I asked Jason if he was interested in acquiring our books, a simple transfer of rights (and cover art, illustrations, the whole nine).
Thankfully, he was. And so very soon the following books, including two that were forthcoming from Shock Totem Publications, will have a new home at Apex Publications:
Beautiful Sorrows, by Mercedes M. Yardley
The Wicked, by James Newman
Ugly As Sin, by James Newman
Shine Your Light on Me, by Lee Thompson
Greener Pastures, by Michael Wehunt
Everything That’s Underneath, by Kristi DeMeester
Aetherchrist, by Kirk Jones
Adam Cesare has decided to self-publish Zero Lives Remaining under his own Black T-Shirt Books. John Boden’s Dominoes will remain with Shock Totem.
As much as I regret having to make this decision, I have no doubt Jason and Apex Publications will do right by our authors and present greater opportunities for them in the years to come. They deserve at least that much.
Shock Totem Publications is not dead. We will carry on and focus on one-off limited editions, special projects, and Shock Totem magazine, things I can work on in fits and starts, as time permits. More on that soon…
For now, we sadly say goodbye to some fantastic authors and books.
It’s been a long time coming, but we are happy to announce that the tenth issue of Shock Totem magazine is available for purchase!
Cover art by Mikio Murakami.
Here is the official Table of Contents:
* Notes from The Editor’s Desk
* Rumor and Shadow: The Haunting of the Everett Mansion, by Barry Lee Dejasu (Article)
* The Henson Curse, by Paul A. Hamilton
* Blue John, by D.K. Wayrd
* Post-Modern Pea Soup: A Conversation with Paul Tremblay, by Catherine Grant
* Three Years Ago This May, by Trace Conger
* Malediction, by Margaret Killjoy
* Sweet William, by Mary Pletsch
* Deerborn, by Leslie J. Anderson (Poetry)
* Strange Goods and Other Oddities (Reviews)
* There’s a Tongue in the Drain, by Roger Lovelace
* Wasps, by Thana Niveau
* Standing Behind the Curtains: A Conversation with T.E.D. Klein, by Barry Lee Dejasu
* The Tall Man, by Eric J. Guignard
* Winter Fever, by Samuel Marzioli
* Bloodstains & Blue Suede Shoes, Part 8, by John Boden and Barry Lee Dejasu (Article)
* The Eavesdropper, by Sarah L. Johnson
* The Last Treehouse, by David G. Blake
* Howling Through the Keyhole (Author Notes)
If you have any questions, please ask. Thanks for your patience and support!
I have long been a fan of D. Harlan Wilson‘s distinct brand of Bizarro. Wildly intellectual yet just goofy enough to keep you on your toes. When I was asked to review his volume of the Cultographies series, I said I would. It’s a total dissection of the 1988 cult classic film, They Live, directed by John Carpenter.
The book did its time in my reading pile until the unfortunate passing of wrestling legend and star of They Live, Roddy Piper. I then withdrew it from the stack and dug in.
This is not a book for everyone. It is a serious essay (a long one at that) about the film’s historical, cultural, and social implications. The politics at play in the film and even in the way it was shot. I found the entire book and the concepts jaw-dropping. Sure, it gets a bit dry, but if you weather through you’ll be amazed. The amount of research that had to be done, the days of watching that fucking movie over and over and over… Wilson is a force to be reckoned with. His writing is sharp and academic, but not alienating in any way. If you’re a fan of the subject matter you can easily gobble the book down in a single sitting.
There are several other films tackled in the Cultographies series, from The Evil Dead and Donnie Darko to Bad Taste and Blade Runner. They are all written by different authors and are available through Wallflower Press.
It’s been a long time coming, but the limited hardcover edition of Zero Lives Remaining is finally finished and ready to ship. It took almost a year longer than anticipated (rookie mistake; sorry about that), but we hope it’s worth the wait.
It took a lot of hard work from a lot of talented people, notably Frank Walls (artwork), Yannick Bouchard (additional artwork), Nick Gucker (illustrations), and Mike Lombardo and Reel Splatter Productions (film, photography), and we think this is one of the best limited editions ever released.
Robby Asaro is dead.
He’s a ghost in the machine, keeping a watchful eye on the arcade where he lost his life two decades before. And the afterlife is good. The best thing ever to have happened to him. But when the conscious electric current formerly known as Robby Asaro makes a decision to protect one of his favorite patrons, Tiffany Park, from a bully, he sets loose a series of violent supernatural events that can’t be stopped.
Trapped inside the arcade as the kill count rises, Tiffany and a group of gamers must band together to escape from what used to be their favorite place on Earth…and the ghost of Robby Asaro.
From the author of Tribesmen, Video Night, and The Summer Job, Zero Lives Remaining is a masterful mix of horror and suspense, dread and wonder, a timeless ghost story that solidifies Adam Cesare’s reputation as one of the best up-and-coming storytellers around. This is Adam Cesare firing on all cylinders—and he’s just getting started.
Strictly limited to 100 copies, the hardcover itself is made to look like a VHS tape, which is housed in a classic VHS case with full wraparound “80s horror film” artwork and photography exclusive to this edition. Nick Gucker provides exclusive interior illustrations, and there is also a bonus short story. A special insert features additional artwork and photography, plus an interview with “B-movie legend” Adam Blomquist. And finally, there are six autographed “movie still” cards featuring the entire cast (from the trailer) and director, Mike Lombardo.
Check out these photos (apologies for the less than stellar quality):
Click to Enlarge
We expect this edition to sell out very quickly, so order now if you want to secure a copy. When all 100 are gone, they’re gone for good. There will be no future hardcover pressings. Paperback and digital editions will be available soon.
If you have any questions, please ask.
Click to Order.
(Special thanks to Mike Lombardo and the Reel Splatter Productions crew for the brilliant trailer!)
Shock Totem Publications is once again open for novel/novella submissions!
If you have any questions, please e-mail us.
After a long absence from conventions, this coming weekend, June 5–7, we will have a table at the fourth annual Anthology conference (AnthoCon) up in Portsmouth, NH. Special guests include Christopher Golden, Tom Monteleone, James A. Moore, Gene O’Neill, and more…
Cat and Barry will be manning the table and selling copies of all Shock Totem releases at a generous discount. Barry will also be selling his hand-drawn bookmarks, individually or as a set.
Anyway, it is sure to be a helluva good time. Stop by the Shock Totem table and say hello (and maybe buy a thing or two).
This Saturday, August 8th, at 8 PM EST, we will once again be hosting our bi-weekly flash fiction challenge. The challenge: You have just one hour to write, edit, and post your story.
This is a “prompted” challenge, meaning your story must be based on the prompt, which will be revealed just before 8 PM. The challenge takes place here on our forum, so you’ll need an account if you want to participate.
The purpose of the challenge is to force you, the writer, to clear your mind of all distractions and write a complete 1,000-word-or-less story within the allotted time. You’ll have to not only write the story, but also edit it, and then post it by 9 PM EST.
For those interested, here are the rules:
Unlike our bi-monthly flash fiction contest, the bi-weekly one-hour flash challenge is just for fun. The challenge will be held every other Saturday, officially beginning at exactly 8 PM EST. There are no prizes! And the rules are simple.
1. All stories should be complete, written and posted within one hour, and can be anywhere from one sentence to 1,000 words in length.
2. You may choose to write your story in any genre.
3. Your story must be built around the restrictions—words, themes, photo prompts, word limits, etc.—provided by the Flashmaster at the beginning of the challenge.
4. Once the participants’ work is posted, the voting and comment session begins and continues until all votes are in. Time limit for voting will be determined on the spot, depending on how many people finish the challenge.
5. The winner becomes Flashmaster and hosts the next contest.
And that’s it. Simple and fun.
Think you can do it? Join the forum and be present this coming Saturday at 8 PM EST. More information can be found on the forum.