Shock Totem Radio
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Here are a handful of links from around the Internet that we found interesting this past week.
I’m sorry, zombie friend, but I didn’t quite catch that. One of the funniest things I saw this week was a Bad Lip Reading of The Walking (and Talking) Dead.
Zombies aren’t creepy. Children are creepy. Nothing exhibits this better than this very cool, very strange Reddit conversation about the creepiest thing your young child has ever said to you .
And after you’ve been chilled by little Jimmy’s prophecy of your death, or sweet Molly’s insistence that SOMEBODY IS RIGHT BEHIND YOU, you can finish freaking yourself out by looking at these hyper-realistic dolls…of you.
Knock yourselves dead, darlings. See something cool that should be in the roundup? Drop me an email, or leave a post on our forum. Let’s while away our time in the dark.
Most artists live in the shadows of their work—and few see them.
We have sold thousands of copies of Shock Totem, and one thing we’re consistently complimented on is our cover art. This happens all the time. Think about that. We get complimented for something we did not create. All the time. The artist, for the most part, is ignored.
Sure, someone from Taiwan got on his back a tattoo of a slightly altered version of the cover art for issue #1—which is flippin’ brilliant—but that’s an extreme compliment. How many people have just e-mailed our artists to tell them how great their work is? Few, if any. I’d bet a lot of money on that.
But they tell us. Again, all the time.
Much like the fact that most people don’t understand how much time and effort an author puts into creating his work, I don’t think people understand or appreciate how much goes into creating cover art—or album art, a painting, a cartoon, etc.
On our Facebook page, we have a photo collection called Resonance. In it you’ll find a series of photos that includes numerous drafts of ideas for cover art we didn’t use, as well as early/alternate versions of the cover art we eventually did use. We want people to see part of the process, because it’s a long one that takes a lot of time and hard work.
As mentioned recently, we will soon reissue James Newman’s ode to 80s horror, The Wicked. We commissioned new artwork from Jesse David Young, as well as numerous interior illustrations. This process began back on September 16, 2011. Over six months ago. To give you a glimpse of what goes on behind the scenes, I’ve put together a little slideshow which begins with the very first sketch idea and ends with the final product.
(All the artwork was done by Jesse David Young, but the layouts for final three covers shown were done Mikio Murakami, Rex Zachary, and Yannick Bouchard, respectively.)
Scroll down this page a bit, and on the right sidebar you’ll see a section labeled Artists of the Totem. Below it, links to all the artists that have helped make Shock Totem great. Check them out, hire them—or, at least, if you like their work, let them know.