Tribesmen

One of the greatest rewards that comes from publishing Shock Totem is being able to watch young writers evolve within their craft. Even when I read something less than great from them, there remains something special about it.

It’s in the knowing that they’re going to eventually come back with something that will knock my socks off, I think. There’s an it factor, involved—easy to see, but impossible to explain.

And Adam Cesare has it.

Tribesmen is Adam’s debut novella, and it’s a thing of bloody-good brilliance. Setting the bar even higher, it was published under John Skipp’s new imprint, Ravenous Shadows, which is quite a place to make a literary home.

The book centers around a cast of filmmaking misfits attempting to create a movie that is less an homage to and more of a blatant rip-off of the Italian exploitation horror films from the 80s. In the spirit of Ruggero Deodato’s feel-awful classic from 1980, Cannibal Holocaust, Cesare’s Tribesmen takes place on a small Caribbean island, where the indigenous people become much more than visual props by instead making their directorial debut.

This is a character-driven book fueled by fear, greed, lust, violence, and the blood-red lure of cinematic glory. Tribesmen is a smart, visceral, and poignant commentary on the ugly side of humanity. Which, in this case, is a beautiful thing.

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Skull Cathedral Woman

In 2008,Tim Waggoner put out Skull Cathedral, a supremely short and limited edition booklet, via Squid Salad Press.

Skull Cathedral is a bizarro tale that is a smorgasbord of trippy images, the premise of which appearing to be the delusions of a man going through a barbaric procedure to cure him of his less than pure thoughts. These sections of his warped psyche appear in the form of short chapters where we encounter a wide array of fucked-uppedness. Yes, I invented a word for it.

Behold a smoldering midnight in a town on fire. Hang with a man with assholes for eyes who sprays gawkers with optical diarrhea. Witness a depraved man on a raft stitched from the skin of four sluts as he floats on a menstrual sea…and gets horny. Attend a dinner date with a cannibalistic toddler. This is Bizarro on steroids.

This brief book was my first experience with Waggoner’s work and I can say I look forward to reading more. Devilishly and deliciously disturbing. Available via Squid Salad Press, but it is limited edition, so act quickly.

Jack Ketchum is a name synonymous with brutality and edgy violence. He is quite capable of that on his own. Add to that a partnership with renegade film director, Lucky McKee, and you’ve got a shimmering bouquet of dripping red madness.

The Woman follows the last surviving member of the reclusive cannibal clan featured in Ketchum’s novels Offspring and Off Season. As she stumbles on, weak and wounded, she has the continued misfortune of crossing paths with local lawyer Christopher Cleek, a man highly regarded in his stature and position, but so cracked and flawed in character and soul…well, better to leave the rest for you to discover.

Cleek captures the woman as she bathes in a stream and takes her to his home, imprisoning her in a cellar until he can “tame” her. Which he plans to do with the help of his family. This is where things get very bad.

The Woman takes you just where you expect it to, then kicks you in the shins and knocks you down a dark stairwell, where it then stands above you, sneering as it pisses into your sniveling face. It’s a bully of a novella, populated by some of the nastiest characters ever to live on the page.

My edition comes from Dorchester Publishing and also includes a bonus story, “Cow,” which ups the disturbing ante. It made me feel the need to shower, immediately. That is high praise!

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Women In Horror

Did you know that February is Women in Horror month? Damien Walters Grintalis, a Shock Totem regular, graciously allowed me to guest post on her blog. Swing by to see my take on why women are not only familiar with horror, but biologically built for it.

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Glitter Rose

Finding Marianne de Pierres’s Glitter Rose collection in my World Fantasy Con swag bag was like taking a walk on the beach and stumbling across a sapphire in the sand. It’s a charming, hardcover book with a soft and feminine cover.

Beautiful, I thought, and I started to read.

Ten years ago, strange spores blew onto Carmine Island, occasionally covering the sand with rose glitter. The spores not only bring beauty to the island, but perhaps something darker and deeper as well.

The five stories—four previously published, one new to this collection—are told from the point of view of Tinashi, a quiet, almost unfriendly woman who has moved to the island for the solitude. She encounters the rather bizarre residents of the island and is pulled into their personal lives very much against her will. I was interested in Tinashi and wondered why she was so bitter. I was pleased when this was explained in a later story, and her actions made sense.

Glitter Rose is written in a fairly straightforward style that somehow manages to be lush and elegant. It reminds me of Deborah Batterman’s collection Shoes Hair Nails: sensual, elegant, and with layers of meaning underneath the surface.

Although only five stories long, I read Glitter Rose in just a few sittings, pondering on the world that the author built. It’s fantastic, of course, but written in a way that almost seems feasible. It’s a thing of subtle, dark beauty.

It isn’t for everyone, but if you want to be immersed in the complexity of relationships, Glitter Rose might be the book for you.

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Zee Dreamt and Deathless Wurm

David James Keaton’s Zee Bee & Bee (a.k.a. Propeller Hats For The Dead), as it was called when it was sent to me last spring, has since been rechristened Zombie Bed & Breakfast (Zee Bee & Bee). Regardless of which title you acknowledge, this is one of the zaniest sort-of-zombie works I’ve ever read. Its audacity to be so smart and ridiculous at the same time is a feat worthy of your time.

In this novella, Keaton tells the story of a Zombie Bed & Breakfast, one of those themed places where folks pay to stay and be entertained. In this case, attacked by hotel workers dressed as the shambling dead.

Keaton has a keen eye for personality and pop culture references. The broken-down hotel workers are all schooled in their zombie lore and mythos and all know their script…but when things start to meander from the scripted path, chaos and bloodshed ensue.

Bizarro and smart. Keaton has a unique voice in his writing, the literary equivalent to Geddy Lee’s vocals—those who dig it are really going to dig it; those who hate it…you know what I’m getting at. It is also worthy of mention, an urban legend suggests that Tom Savini was so offended/insulted by this novella that it led him to “unfriend” the author on Facebook.

If I know David as well as I think I do, he wears that fact as a badge of honor.

Andrew Bonazelli steps up with his slice of world-ending pie, “The Dreamt and Deathless Obscene.”

His apocalypse is sort of quiet. Set in the mid 70′s, people just start acting strange. A plague has reduced half the populace to raving maniacs, while the rest don’t seem all that better off.

A group puts down roots in Philly and tries to start again, or at least live normally until a cure is found. In this, we are introduced to the Gall family, flawed and harboring their own insanities, well before the supposed plague began. The father and his two sons struggle to come out on top, through any means necessary.

Where Bonazelli elevates this above the typical post-apocalyptic crazy plague story, is with his unique grasp of the language. Quirky phrases and characters that are real and not at all the empathetic likeable survivor-types we’re used to. He takes all the templates of this genre and sets them aside, giving us a bleak and not-all-that-positive idea of the world ending—not with a bang, but with a whimper.

You can buy this book through Vitriol Press.

I don’t like worms. They’re icky and slimy. I get it. I’ve seen the world end at the hands of worms before. Keene served it to us and the 70′s film classic Squirm did as well. Worms are scary.

In 1991, Matthew J. Costello and Diamond Books gave us his novel Wurm. These worms are the scariest I’ve read about yet. Deep sea leech-like creatures that burrow inside and become what we are…and then become more.

Filled with great strong characters and frenzied pulp horror violence and gore, Wurm reminded me of all that I loved about the paperback heyday of the 80′s and early 90′s.

Wurm begins as an exploratory group is surveying a deep-sea volcanic rift and discovers countless species of strange life. Mainly worms. Big long worms. They go deeper…and are attacked by bigger, meaner worms who live in burrows. They return to the surface with a piece of a worm. From there, bad things happen and a new god struggles to rise.

Wurm is a quick read, a crazed comic-book fun ride through sci-fi tinged Lovecraftian landscapes. Recommended!

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Bring More Lore!

Born in a New Jersey basement in the mid-90′s, Lore was a DIY magazine for dark fiction and fantasy. In their time, they took home a number of awards, including The Dragon’s Breath Small Press Award for Best New Magazine, as well as had several stories from within their pages garner awards of their own.

I must admit, here, that I had never heard of Lore. This is a fact I am now somewhat ashamed of, after reading this, a collection of stories that appeared during their five-year run. I missed out on some quality reading back in the day.

I won’t go through every story in this collection, but will touch upon those that stuck with me most.

Starting things off with Harlan Ellison is always a smart move. Ellison has long been regarded as a master of speculative fiction, and with “Chatting with Anubis” we get a tongue-in-cheek tale of archaeology and spiritualism and the dark threads that bind them.

“The Mandala,” by Kendall Evans, is a bizarre exercise in surrealism as symbolism. Patricia Russo’s “Rat Familiar” is Grimm-style fantasy that is served up nasty and dark, while Jeffrey Thomas’s “Empathy” is a sadly sweet tale of trust, mistreatment and revenge.

Brian Lumley turns in “The Vehicle” which is a lighthearted “fish out of water” sort of sci-fi tale. Donald R. Burleson gives us what might be my favorite tale in the book, “Sheets,” a terrific haunted-house story, and it is exactly not what you think it is.

All the stories in this volume are strong. Some skirt the edges of the Horror estate, while others wander that bizarre and weird landscape on its outskirts. “The Challenge From Below,” a group-penned tribute to Lovecraft, as well as many other pieces, have never been reprinted before this. And a few are nearly science fiction. All, however, have a classic feel and mature voice.

This is old-school writing.

As of 2011, Lore has resurrected itself. I would have loved the magazine back in its heyday, so I hope to follow them, now, and keep up with what they put out.

This volume can be purchased through the Lore website.

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Dark Treats from the Midnight Asylum

I first heard about Mark Allan Gunnells through James Newman, a mutual friend and a writer I consider family. On the merits of that alone, I knew Gunnells’s work must be special.

So I contacted Mark, and we quickly became friends. He is a sweet and humble guy. More importantly, he has a lot of heart. The one common thread that weaves through all that I have read from him, is the empathy and humanity his characters possess.

That is not always an easy thing to get across in print. In his short story collection, Tales from the Midnight Shift, Vol. I, Gunnells gives us a fine and varied compilation of these types of characters. From the fantastically titled “God Doesn’t Follow You into the Bathroom” to the breathtakingly surreal “Jam.” He goes from serious and somber to silly at the drop of a hat.

I won’t go into details on every story here, but I will touch on a few that left a lasting impression.

The tome opens with “God Doesn’t Follow You into the Bathroom.” While slightly predictable there is enough freshness injected here to keep your attention. Sometimes confession does not gain you the absolution you hoped for. This is followed by my absolute favorite in the collection, “Jam.” A traffic jam is the setting for this bleak exercise in tension and fear and humans being. “The Gift Certificate” teaches a valuable lesson about possession. “The More Things Change” is astounding, a heart-wrenching painting on bullying. This is one of the best things in the collection.

Tales from the Midnight Shift, Vol. I was the first example of Mark’s craft I encountered. I have since delved deeper into his work and have yet to be dissappointed.

Despite its short stature of 67 pages, Asylum has a lot of substance.

At a glance, the premise—a group of misfits, standing tall to fight off the zombie apocalypse—doesn’t seem all that original. Mark peoples this story with an almost entirely gay cast, sets it in a gay club, and spatters it with plenty of gore and sex.

But where Asylum shines is with the deep textures given to the characters.

They are not mincing caricatures or flaming queens—well, maybe one is—but instead they are presented as the flawed human beings that we all are.

Once again, this proves to be Gunnells’s strong suit—painting pictures of people.

Just in time for this past Halloween, Mark gave us all this little gift—Dark Treats, a five story collection, with all tales revolving around the October holiday.

Opening with “Halloween Returns to Bradbury,” we get a riotous romp about how the devil has grown disgruntled with the commercialism of his holiday and returns to show us how it’s to be done. Some fantastic and ridiculous imagery ensues. “The Neighborhood that Halloween Forgot” is a slightly cliché tale of tolerance.

“My Last Halloween” is a sad little coming-of-age tale. “Treats” finds us in cheesy 80′s horror movie territory—silly monsters, rational logic, great fun! The collection ends on the somber “Family Plots,” which, while good, seems a bit cramped, begging to be worked into a longer work someday.

Mark Allan Gunnells is one to watch. His work is consistently entertaining and full of heart and soul.

Sometimes that’s what you need.

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Ghost Hunting with TAPS

It was with some glee that I got my hands on Ghost Hunting: True Stories of the Unexplained Phenomena from The Atlantic Paranormal Society, by Jason Hawes, Grant Wilson, and with Michael Jan Friedman. Who doesn’t love a slightly creepy, slightly campy glimpse into ghost hunting? After all, I almost signed up for a ghost hunting class while living in Seattle!  (I almost signed up for helicopter piloting and broadsword, as well.  I have the attention span of—shiny!)

I’m familiar with the show and the “try to debunk it” view that TAPS. takes of the paranormal. I was hoping that this book would delve into some of the more interesting cases.

It did hit a large number of cases, but I was disappointed in how briefly each case is discussed. Each chapter covers one case and the average chapter is about four pages long. It briefly runs over what you saw in the show with very little added. Each chapter is told from Jason’s perspective and Grant chimes in at the end with a few summing up sentences. All in all, not what I expected. Aw.

The best part about this book, however, is seeing Jason’s views on the other TAPS members. He’ll say, “So-and-So broke the equipment” and “So-and-So is a workhorse,” and I enjoyed that sort of thing. This book was quick, cheap fun and while I wanted more substance out of it, I scarfed it like a bag of Doritos.

Ghost Hunting is literary junk food and there’s nothing wrong with that.

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Aleera: Tainted Blood

I just finished Joseph Mead’s debut novel, Aleera: Tainted Blood. Aleera, the daughter of a demonic warlord and a succubus, is being tormented by a serial killer who leaves behind charred bodies. While trying to track down the killer, she is constantly battling her own dark urges. Will she be able to control the demon inside her when her life is at stake?

The book reads like a mostly complete novel rather than a completely finished one. I was easily distracted at first by the numerous typos and what I felt was rather contrived scenarios. Aleera manages to get a knife pulled on her not once but twice in the first 13 pages. That seemed extreme to me and hey, I live in Las Vegas.

Oh boy, I thought. This is going to be a long read.

Only it wasn’t. I quickly grew to appreciate the interesting and diverse cast of characters. There’s someone for everybody here. The group includes a sexy half-succubus, a shy best friend, an older mentor and his feline familiar, among others. I also enjoyed the physical manifestations that took hold when Aleera slipped into bloodthirsty demonic mode. Sharp claws protrude from her hands, wings sprout from her back, and her eyes glow red. The action scenes are fast, vicious, and engaging. It was also fun to see how she navigates changing relationships with her friends. After all, otherworldly or not, she’s still a teenager.

Aleera: Tainted Blood isn’t to be confused with the earlier version of this story, which is simply known as Tainted Blood.

While I would suggest to Mr. Mead that he go through and give this book another round of polishing, I found it entertaining. I also enjoyed the easily sustainable world that he created. If he were to write a sequel to Aleera, I would most likely pick it up and follow the characters on their other misadventures.

Dark, sexy, and bloody, this book delivered on what it promised.

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Your First Hate Mail

My guest post, “Your First Hate Mail: How Life Can Change After Working for a Magazine,” is up and running at The Fictorian Era

Come by and say hello!

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