- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 1
- Splatterpunk #7
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Anthony Rapino is a dark fiction author with a sense of humor. It was cool to interview him. Hope you enjoy!
MY: So, Anthony, thanks for stopping by! Why don’t you start off by telling me what you have out, and what you’re currently working on.
AR: Thanks so much for having me. I have to admit, my first impulse when you asked what I “have out” was to tell a vulgar joke. Let me just tuck that away. The vulgarity, I mean! Oof. What’s that they say about first impressions?
MY: Your first impression is shot.
AR: Moving on. I currently have a few short stories out in print magazines and anthologies such as the Arcane Anthology, On Spec #86, and Black Ink Horror 7. I of course also have the short story collection Welcome to Moon Hill available through Amazon, and my debut novel, Soundtrack to the End of the World available from Bad Moon Books. They put out a beautiful limited signed hardcover edition as well as a paperback edition.
I’m currently working on a two different super-secret anthology submissions. I’m also working on my second novel, which I published an excerpt of in Welcome to Moon Hill.
Recently, a writer friend on Facebook posted about how he hated the “who you know” model for advancing his writing career, but he acknowledged that most of his opportunities came from people he knew. I can relate.
It’s not just in writing, the whole world revolves on a “who you know” axis. Every job I’ve ever gotten has been because of who I knew, whether directly or indirectly. Friends and contacts are an invaluable resource that you can and should be using to further your writing.
There is social media, like Facebook and Twitter, but there are other methods as well. We here at Shock Totem have a variety of ways that we try to aid writers in developing their talent on our message board. There are two very popular flash contests that we host regularly, as well as the underused Writer’s Workshop section for critiques, submission calls, etc. And we are happy to provide them.
We want to see writers improve and succeed, particularly horror writers, since that’s what we’re all about. There are a whole lot of fantastic writers slogging away in the trenches, and we’re doing what we can to lift up those whose work we deem to be noteworthy.
But as I replied to my friend, “who you know” has a darker side as well.
While we can and should be promoting our writer friends, there is a fine line between encouragement and enabling. If your friend has written and published a great book, buy it, and encourage others to do so. But if your friend has written and published a book that is rife with spelling and grammatical errors or just poor writing, you’re not helping them by promoting it as a “must read”. In fact, you’re harming them.
The whole idea of promotion is to widen your circle, so that not only your friends and family buy your books out of a sense of obligation, but also their friends and so on, until people who have no clue who you are are tweeting about how much they enjoyed your book. But if people buy a book because someone hyped it on Amazon or Facebook, only to discover that the book is bad, how likely are they to buy another book based on that person’s recommendation?
In these days of self-publishing, when anyone can write a short story one day and offer it for sale the next, a lot of sub-par writing is being published, promoted and praised. Writing is a difficult and laborious process, you don’t go from joker to genius overnight. Take your time; get a real, honest critique from someone who not only knows good writing from bad, but also isn’t afraid to tell you which camp you’re in.
Even literary giants started by writing poorly. But in the days when getting a book published was difficult, they had knowledgeable editors who were not afraid to tell them that their story needed work. Nowadays, if your only editors are your friends, how can you be sure that they are giving you an honest and educated opinion?
If you’re a writer, seek out someone who isn’t afraid to tell you that your story stinks, and can offer helpful suggestions to make it better. And if you’re an enabler, promoting or endorsing sub-par writing because the writer is a “nice person” or you want them to promote your book, knock it off. You’re operating on the dark side.
Batten down the hatches, buckle your wigs, Lee Thompson is in the house!
If you’re unfamiliar with Lee or his work, I predict that will change in the near future. Steadily making his way up the small-press ladder, 2011 is shaping up to be Lee’s breakout year. Let’s do a quick rundown of the year thus far…
His debut novel, Nursery Rhymes 4 Dead Children, and the novella Iron Butterflies Rust were released through Delirium Books; a second novella, As I Embrace My Jagged Edges, will be available through Sideshow Press in the weeks ahead; his short fiction was published in The Zombie Feed, Vol. 1 (“This Final December Day”), Dark Discoveries #18 (“Crawl”), Shock Totem #4 (“Beneath the Weeping Willow”), and is forthcoming in the anthology Hacked-up Holiday Massacre (“We Run Races with Goblin Troopers”). Breakout year or not, Lee Thompson is making a hell of a noise.
Enigmatic, charismatic, and a genuinely good dude, Lee is hopefully destined for big things. Call me a fan.
As part of his 2011 Blog Crawl, he’s stopped by Shock Totem HQ to discuss his journey from dreamer to professional writer. Dig!
LOVE OF THE END PRODUCT
by Lee Thompson
I’ve hungered to make a career of writing. To get past my inadequacies and lay it all out there, the good and bad.
I was a horrible student. I think I’d have been deep into a writing career if I had cared about all of this when I was younger. But I didn’t even care about myself then. And I’m glad I didn’t find this passion until so late, because I got to live, I absorbed so much, and there are multitudes of emotions, hard-won lessons, regrets and shame, pride and rebellion that I went through and now get to draw from.
I remember being so poor (my own fault) those first five years before I’d published a single thing that I always had to use other people’s computers to write on. I was an inconvenience and they didn’t have to let me do that, but they did. I submitted a lot of stories on library computers and got a lot of rejections because I really wasn’t very good. But I was hungry to improve.
Then something happened last year where I turned a corner. It was like everything finally fell into place. I think it was that I learned so much from my buddies Shaun Ryan and Kevin Wallis, and I started studying novels I loved, hand copying them—in notebooks, on old printer paper, in legal pads—to learn more even though it was time-consuming, and I realize now that I stopped writing the first ideas that popped in my head. I started writing for me.
When I began this blog tour my first Division novel wasn’t even released yet and here we are with Nursery Rhymes 4 Dead Children out, as well as my second book Iron Butterflies Rust.
I think I’m very fortunate. I sold my first two books to Delirium Books, a publisher I love, one who has discovered rising stars and cares about the stories and a writer’s career. A publisher who has put out a lot of great material that first took shape in the minds of my heroes (Tom Piccirilli, Greg Gifune, Douglas Clegg, etc.) Not a bad way to lose my virginity. My publisher believes in me. He’s honest about what works for him and what doesn’t, but still asks questions that matter, and wants my input.
How awesome is that?
Very fucking awesome.
So, how does it feel to see your dreams coming true?
It’s wonderful. And it’s a little scary. And it’s very surreal. It’s still sinking in that I’m a professional now. I pour my heart and soul into my work. I use a lot of stuff from real life, from when I was stupid, when I was a kid, moments when I possessed that elusive quality called commonsense, when I was a drunk, dreams I’ve had, and memories and questions that torment me.
And I have friends like Shaun, Kevin, Jassen, Susan, Cate, Mark, Sam, Bec, Peter, Mike, Mercedes, Wanda, John, Nick, Doug, Ken, Neal, Glen, Jennifer, Kate, and so many others who support me, not because I have to beg them or bullshit like that, but because they care.
Any success I have is the result of all those people, and editors like Shane Staley, James Beach, Steve Clark, Adam Bradley, Tom Moran, Ken Wood and lots of others who encouraged me, and earned my respect because of their kindness, honesty, heart and passion.
I could fill pages with people who have helped me along the way these past few years. But that’s kinda frightening too. More and more people I feel I owe something: for putting down their hard-earned money, for spreading the word, for giving feedback, and most of all for their faith and their time. I’m more grateful than you might ever realize. So a huge thanks to all of you.
I never realized how much it would thrill me to get comments from people I don’t know telling me they loved this book or that short story. What an eye opener. It means a lot. It means, in some small way, I’ve connected with another soul (sometimes without ever sharing a conversation). I adore that beyond words.
Thanks to all those who have read and commented and spent time with me.
And a huge thanks to those kind souls who let me blog on their pages.
So much has happened in a short time, but hell, I’m just getting started.
For anyone who missed earlier guest blogs on this tour see them here.
Rock on, you bad mofos.
Here’s a handful of links from around the Internet that we found interesting this past week.
First, over at Liberty Conspiracy, Gard Goldsmith has posted two podcasts featuring over an hour’s worth of interviews and commentary recorded at this year’s World Horror Convention in Austin, Texas. You can listen to part one here and part two here. Great stuff!
On the writing front, here’s something for the struggling writer: Thirteen tips to help you get some writing done. And this would probably fall under the category of Struggling Writer, but specifically, here’s a little something for the depressed writer. But maybe you’re neither struggling nor depressed, so how about a Writer Reality Check? Can’t hurt.
And with that, I’ll leave you with these amazing images.
Here are a handful of links from around the Internet that we found interesting this past week.
First up, some stuff on writing. Shane Staley of Delirium Books posted an interesting essay on the current state of small-press horror. A more upbeat piece comes from Adrienne Crezo, where she tells us that the “Big Debate” doesn’t matter.
Here are a couple tips on handling rejection: Jacqueline Howett responds to a review of her book, The Greek Seaman. Read the comments, then always do the opposite. Though a bit one-sided, presented as it is, over at Crossed Genres we were shown yet another example of a not-so-recommended rejection response.
Now, how about some fun and cuddly arachnids? A man in Dortmund, Germany is killed and then eaten by his creepy-crawly pets. And in flood-ravaged Pakistan, spiders have taken to the trees in what can only be described as something out of a nightmarish fantasy.
[ Photo by Russell Watkins ]
Scares the hell outta me, anyway!