Shock Totem #10 (Jan 2016)
- The State of Shock Totem Publications, or We Are Not ChiZine Publications
- Closing for Submissions
- Shock Totem Returns!
- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
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A Texas Senator and his wife go missing… On the same day, their son is slaughtered by an enigmatic killer on the lawn of ex-Governor Edward Wood’s residence. Sammy, Wood’s drug dealing son, suspects his father of the crime. After all, his old man snapped once before and crippled his wife with a lead pipe. But there’s something more to these events…something deeper and festering just beneath the surface…
In direct opposition to Homicide Detective Jim Thompson, Sammy begins an investigation of his own, searching for the truth in a labyrinth of lies, deception, depravity and violence that drags him deeper into darkness and mayhem with each step. And in doing so, brings them all into the sights of an elusive and horrifying killer who may not be what he seems.
A brutal killer on a rampage of carnage…a hardened detective on the brink…an antihero from the shadows…a terrifying mystery that could destroy them all…
Welcome to Lee Thompson’s A Beautiful Madness blog tour!
This stop is a special one since I love Shock Totem magazine and the people who have made it such a monumental success, which strangely enough is what this post is about. They’re beautiful people over at ST, and so are the stories they publish, and the covers that grace their issues.
Since I’ve been in two issues, in addition to one person winning a paperback copy of my novel, I’ll also be giving away two copies of Shock Totem! Issue #4, which featured my story “Beneath the Weeping Willow,” and issue #6, where I have a story called “The River” and was interviewed by K. Allen Wood (the publisher and sexy beast). Very neat, yes? To win, make sure you leave a comment and share the link on Shock Totem’s website, lovelies.
(Note: We will also be adding a hardcover copy (19 of 150) of Lee’s limited edition Delirium Books novella Down Here in the Dark.)
Ways to Measure Your Success (Expect and Accept Change)
There’s not much worse than for five years to go by and for you to look back over those years and feel that nothing has changed. Especially since it’s our responsibility to learn, adapt, and change things. No one else makes our choices for us once we’re an adult. But did you know what you wanted back then? Did you have a clear, specific goal? Did you have steps to carry yourself to that goal, or did you keep doing the things you were doing and expect to conjure such success from thin air?
If so, you’re not alone. But where have you succeeded? There has to be some area, doesn’t there? Look deep, look back, be objective. If you haven’t made strides, it might be time to start from scratch and rethink the way you’re approaching your writing career. You’re going to have to change for the better.
Expecting to succeed—to sell your first novel or first pro short story, or to get interviewed in the paper, or whatever—without studying the craft and just winging it, is like a guy swinging a golf club and expecting to be a pro golfer in five years. He can be doing a dozen things wrong in his swing and practice those wrong techniques ten thousand times, but only hurting himself.
A great way to measure your success is to pay a pro for feedback. (Tom Piccirilli offers an editing service.) Look at their feedback and go through it one point at a time, through your whole book, looking for the places they’ve marked as red flags and learn to understand why those things hurt your story instead of help it.
You can measure your success by comparing yourself to your peers. But it’s a trap filled with frustration. They can only write what they write and you can only write what you write. You might be a better networker but they might write better stories, or vice versa. They might be getting what appears constant praise while you can barely get someone to review your first novel. They might be single like me and have very few distractions while you might have a job and a family to dole out time and energy. There are too many variables, and comparing yourself to your peers isn’t very healthy. If you find yourself in this trap, it wouldn’t hurt to slap some sense into yourself.
You can measure your success by reviews. Reviewers read a lot of books so they can usually spot big flaws and what doesn’t work for them pretty quickly. They’re also passionate about the genre they’re reviewing. I like measuring my success this way. If someone loves reading they’re going to offer something useful I can use to improve.
You can measure your success by word count. I’ve never worried about this, but it seems to be a popular thing among writers. It seems a double-edged sword, though, telling yourself you have to hit a certain number, shifting, at least in the back of your mind, from writing a quality story to worrying about how many individual words you finished today. And then there is a lot of guilt in this approach too. I’ve seen tons of writers cry and beat themselves up because they fell behind on their word count that day or week or month. It’s a distraction, if you ask me, that doesn’t have many benefits. If you ignore the word count altogether and just write the story with as much passion and skill as you can, it will end up whatever length it needs to be.
You can measure your success by the project. Each novel you write will be different in critical ways. I like to experiment and break rules. When I began brainstorming A Beautiful Madness I knew I was going to break one of the big rules, and I did it, and knew it would and did work. The challenge each novel creates is fun to face. If you’re testing yourself on each individual story, to try new characters, new storylines, new ways to manage the POV shifts, and searching your heart for the little details that make the story familiar but fresh, there is a lot of satisfaction in that.
You can measure success by hitting deadlines. I like to set myself a deadline and have been doing so for years. (You’ll have to start doing that to be a professional writer, so why not start now?) I usually take a week to brainstorm the characters and the major beats of the novel and then write down the date I want to finish the first draft. Normally I have two deadlines. I set a high goal of six weeks. And then I set a more relaxed deadline of three months. Usually I hit somewhere around two months for a first draft but have finished some novels in two weeks. They’re all different.
You can measure success by copies sold. I’m setting a goal of moving 10,000 copies of A Beautiful Madness in the first year of its release, mostly because I want to gain a hefty new fan base and secure myself a position as a Crime writer to go to for a certain type of story.
With three years of publishing history, I can tell you that book sales spike and plummet if you have a small audience (there will be more on this in another guest post). Since there are such peaks and valleys, I’m shooting for the yearly goal of copies moved instead of a monthly one. If I’m six months into it and have only sold a quarter of what I want to get out there in readers’ hands, then I will have to get creative and up my game to hit my goal. It’s nice motivation. I think it’s doable too, with the publisher I have, and the fans I’ve gained over the last three years. And since A Beautiful Madness is my first Crime novel, it will always have a special place in my heart no matter how it’s received.
You can measure success by reader feedback. I’ve got awesome fans. They’re so warm and intelligent and funny. I wouldn’t move any copies if it wasn’t for them and my publisher because I’d rather be writing and reading than spending time online trying to pimp myself. A lot of them have become friends over the last three years too, although at one time they were complete strangers, opening one of my novels or novellas for the first time. It’s pretty cool. I measure my success in this way a lot, because it’s tangible, and if you ever feel down there are always people there shooting you an email saying they just finished your book and loved it and recommended it to their friends. They thank you, which is weird, but I get it because every time I read a great book I want to thank the author for taking the time to write it too.
You can measure success by professional feedback. I was fortunate the last four years to receive feedback from professional editors and agents and writers. I think it was important for me to have those people tell me I had talent and imagination and energy, but needed to work on characterization. Listening to them is what helped me start selling fiction.
You can adapt an attitude of I-don’t-give-a-fuck. Readers, editors, reviewers, some will love your work, some will hate it, some will never be more than lukewarm about it. You can just write for yourself if you want, like you probably did when you first started and you were thrilled by simply writing and finishing something. There’s no pressure in that. And it’s your life. Do what you want, what you feel is right, for you and your work.
How do you measure your success?
Buy A Beautiful Madness (Kindle): http://amzn.com/B00K36ITGS
Buy A Beautiful Madness (Paperback): http://amzn.com/1940544297
Lee Thompson is the author of the Suspense novels A Beautiful Madness (August 2014), It’s Only Death (January 2015), and With Fury in Hand (May 2015). The dominating threads weaved throughout his work are love, loss, and learning how to live again. A firm believer in the enduring power of the human spirit, Lee believes that stories, no matter their format, set us on the path of transformation. He is represented by the extraordinary Chip MacGregor of MacGregor Literary.
Visit Lee’s website to discover more.
There will also be a grand prize at the end of the tour where one winner will receive A Beautiful Madness and four other DarkFuse novels in Kindle format! Simply leave a comment on this blog and share the link.
Thanks to those who participate.
The TOC for the Year’s Best Weird Fiction, Volume 1, edited by Michael Kelly and Laird Barron, has been released. We’re very proud to announce that Damien Angelica Walters’ “Shall I Whisper to You of Moonlight, of Sorrow, of Pieces of Us?” from Shock Totem #7 made the final cut. Well deserved indeed.
So a huge congratulations, Damien!
And though hers is the only Shock Totem tale included, she is not the only Shock Totem author. Also appearing will be A.C. Wise (Shock Totem #4) and Kristi DeMeester (Shock Totem #7). Congrats to you both, as well!
Here is the full TOC:
* “Success” by Michael Blumlein, The Magazine of Fantasy & Science Fiction, Nov./Dec.
* “Like Feather, Like Bone” by Kristi DeMeester, Shimmer #17
* “A Terror” by Jeffrey Ford, Tor.com, July.
* “The Key to Your Heart Is Made of Brass” by John R. Fultz, Fungi #21
* “A Cavern of Redbrick” by Richard Gavin, Shadows & Tall Trees #5
* “The Krakatoan” by Maria Dahvana Headley, Nightmare Magazine/The Lowest Heaven, July.
* “Bor Urus” by John Langan, Shadow’s Edge
* “Furnace” by Livia Llewellyn, The Grimscribe’s Puppets
* “Eyes Exchange Bank” by Scott Nicolay, The Grimscribe’s Puppets
* “A Quest of Dream” by W.H. Pugmire, Bohemians of Sesqua Valley
* “(he) Dreams of Lovecraftian Horror” by Joseph S. Pulver Sr., Lovecraft eZine #28
* “Dr. Blood and the Ultra Fabulous Glitter Squadron” by A.C. Wise, Ideomancer Vol. 12 Issue 2
* “The Year of the Rat” by Chen Quifan, The Magazine of Fantasy & Science Fiction, July/August.
* “Fox into Lady” by Anne-Sylvie Salzman, Darkscapes
* “Olimpia’s Ghost” by Sofia Samatar, Phantom Drift #3
* “The Nineteenth Step” by Simon Strantzas, Shadows Edge
* “The Girl in the Blue Coat” by Anna Taborska, Exotic Gothic 5 Vol. 1
* “In Limbo” by Jeffrey Thomas, Worship the Night Ranger“Moonstruck” by Karen Tidbeck, Shadows & Tall Trees #5
* “Swim Wants to Know If It’s as Bad as Swim Thinks” by Paul Tremblay, Bourbon Penn #8
* “No Breather in the World But Thee” by Jeff VanderMeer, Nightmare Magazine, March.
* “Shall I Whisper to You of Moonlight, of Sorrow, of Pieces of Us?” by Damien Angelica Walters, Shock Totem #7.
As you can see, a brilliant lineup! Congrats again, ladies! And to everyone else who made the final cut, of course. =)
You can read more about this collection here.
While you were all riveted to the gyrations of the train wreck that is Miley Cyrus and her bizarrely discolored tongue, this shit was going on.
And while Mrs. Nugent was being hauled away for packing at an airport, this story cropped up…
There are things that are, sometimes, so immeasurably messed up that it is difficult to process them as truth. Being a writer and fan of horror, it usually takes a great deal to rattle me…but this story, so strange in its creepiness and what-the-fuckism, chilled me: In 2008 a Georgia woman faked the pregnancy and deaths of her imaginary twins in a twisted bid to make her step-son look bad!
In Oklahoma City, Azathoth, the Lovecraftian god of chaos, has some fans who felt the need to enlighten townsfolk who dine at the Paseo Grill by mysteriously delivering a heavy stone monument to their favorite destroyer.
Till next time…
Here are a handful of goodies from around the Internet that we found interesting this past week.
Strange fact: according to the International Association of Psychiatric Professionals*, fear of being swallowed by a large sea mammal (orcamasticophobia) is the fourth most prevalent fear worldwide. By comparison, fear of spiders (arachnophobia) is thirteenth.
A group of researchers at the Bristol Robotics Laboratory in England have utilized their vast scientific acumen and substantial resources to attach a robot head capable of human expression to a vat of slime mold in order to determine what the slime mold is feeling at any given moment. Meanwhile, cancer!
Why does Stephen King sometimes spend months or years writing opening sentences? Because he can.
This week’s Digs brought to you by a couple of worms (and the return of Omni magazine!)…
* According to the International Association of Psychiatric Professionals, they don’t exist and, furthermore, it is in their professional opinion that I may be suffering from pseudologia fantasica.
Here are a handful of goodies from around the Internet that we found interesting this past week.
We’ll start off this Sunday Digs with something a little more whimsical: buildings sporting optical illusions. After looking at that, here are some rather emotional pictures of suitcases left behind by New York asylum residents.
Here’s a horrifying read of some bad feelings that went down on the “Women Who Kick Ass” panel at this year’s ComicCon. Quite frankly, these are women I’d choose not to insult.
And finally, we have some advice on getting it done by Joss Whedon. His secret weapon? Chocolate. No joke.
Hey. It’s Sunday. Let’s get to gettin’. Here are a handful of links from around the Internet that we found interesting this past week.
How about a little claymation gore in the form of Drug Bust Doody?
C’mon, it’s only a shot in the head. Walk it off. And after you’re all nice and warmed up, here’s a video that highlights camel toe and bad lipstick. It elicited true horror when I realized it wasn’t a joke.
Elsewhere, a 17-year-old is buried alive for a suspected crime.
Who knew a flat world on the backs of four elephants balancing on a turtle swimming through space was full of such good advice? Check out these <quotes from Discworld.
And last but not least, here’s a cool pic of some damaged and melted wax figures after a 1925 fire at Madame Tussauds. Awesome.
Here are a handful of links from around the Internet that we found interesting this past week.
I’m sorry, zombie friend, but I didn’t quite catch that. One of the funniest things I saw this week was a Bad Lip Reading of The Walking (and Talking) Dead.
Zombies aren’t creepy. Children are creepy. Nothing exhibits this better than this very cool, very strange Reddit conversation about the creepiest thing your young child has ever said to you .
And after you’ve been chilled by little Jimmy’s prophecy of your death, or sweet Molly’s insistence that SOMEBODY IS RIGHT BEHIND YOU, you can finish freaking yourself out by looking at these hyper-realistic dolls…of you.
Knock yourselves dead, darlings. See something cool that should be in the roundup? Drop me an email, or leave a post on our forum. Let’s while away our time in the dark.
Some staff news, ya’ll! Cue banjo!
This coming October, if not sooner, Apex Publications is set to release Appalachian Undead, a new anthology dedicated to the walking dead. I contributed a quirky tale called “Long Days to Come.”
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The brilliant artwork was created by Cortney Skinner. Quite a lineup, too: Elizabeth Massie, Jonathan Maberry, Tim Waggoner, S. Clayton Rhodes*, Maurice Broaddus, Bev Vincent, Tim Lebbon, Steve Rasnic Tem, John Skipp* & Dori Miller, and Gary A. Braunbeck, to name a few more than a few.
If you’d like to check out the full table of contents, click here.
You can also pre-order via the above link (and get 5% off if you tweet the link), but before you do, check out this groovy contest they’re running for those who do pre-order.
As always from Apex Publications, you can expect quality.
Not to be outdone, Mercedes and John each have stories—“Murder for Beginners” and “Intruder,” respectively—in Psychos: Serial Killers, Depraved Madmen, and the Criminally Insane, the latest slab—and I do mean slab; these things are massive—in an ongoing series edited by the inimitable John Skipp which has thus far included Zombies: Encounters with the Hungry Dead, Werewolves and Shapeshifters: Encounters with the Beasts Within, and Demons: Encounters with the Devil and His Minions, Fallen Angels, and the Possessed.
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Psychos is due out in September via Black Dog & Leventhal, and features new and classic fiction from the likes of Ray Bradbury, Robert Bloch, Jack Ketchum, Joe R. Lansdale, Lawerence Block, Neil Gaiman, Leslianne Wilder*, Violet LeVoit, Weston Ochse*, Kathe Koja, and many more.
If you order now, Amazon has it for $10.07. That’s 608 pages for $10! No-brainer.
We hope you’ll buy both!
* Shock Totem alumni.