Shock Totem Radio
- Ugly As Sin—Now Available!
- Closed for Winter Break
- Star Road
- A Conversation with Voice Actor Georgie Leonard
- Cellar Door: Words Of Beauty, Tales Of Terror Review
- King Revives Our Favorite Demons
- A Conversation with Author Todd Keisling
- Ugly As Sin Cover Reveal
- Blood, Sweat and Drool: A Conversation with Director Jeremiah Kipp
- Chatting with Author Seanan McGuire
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After only reading one issue of the U.K.’s best DIY flavored extreme horror magazine, I’d call myself a fan. So when Jack Bantry sent me the next issue, I dove right in.
I’ll begin by showing my ignorance as to who the cover art is trying to portray, but I’ll be damned if the M*A*S*H fan in me doesn’t want it to be a psychotic Alan Alda brandishing a butcher knife. And again, Wrath James White’s cover blurb—“It makes me nostalgic”—could not be more truthful.
But let’s get to the meat of the sandwich, shall we? The fiction begins with “Balance,” a strange tale by J.F. Gonzalez, wherein a man wakes up to find everything in his life skewed, but not quite that skewed. The same people occupy this life but in differing roles. A heady but not all that extreme tale.
Ryan C. Thomas offers up “Ginsu Gary,” a darkly comedic take on an old urban legend. In this one we meet a flustered mafia henchman as he tries to get the “cleaner” to stop pitching products and get to work.
Splatterpunk editor Jack Bantry teams up with Nathan Robinson to deliver a strange tale of odd justice in “Squash.” Never before have amphibians and revenge worked so well together. Robert Ford turns in a story entitled “Maggie Blue,” which, while being written well and cringe-worthy in its nastiness, seems a bit disjointed and wonky in its logic.
The featured interview this time around is with the always witty Jeff Strand, he of the twist ending and nasty premise, who is not afraid to show a lovable goofy sense of humor. Dig him.
Rounding things out are another interview with editor Paul Fry and reviews (including a great one for Shock Totem’s reissue of James Newman’s The Wicked).
While I didn’t enjoy this one quite as much as I did the last, it was still great fun. Please, do check Jack and Splatterpunk magazine out. They have their black hearts in the right place and aim to entertain. And that is the best target.
The blurb on the cover from Wrath James White says it all: “It makes me nostalgic.”
Splatterpunk is a blast from the past, seriously 80s fanzine past, as in folded and stapled papery goodness. When Ken said he was sending it to me, I was sort of expecting something else but was quite happy to be disappointed.
The brainchild of editor Jack Bantry, each issue of Splatterpunk features a handful of stories—hardcore and guaranteed to make you squirm—and the usual zine fodder: reviews, columns, and interviews.
The interview in this second issue is with the genre legend Ray Garton. The stories feature an illustration for each, beautifully rendered in stark black and white.
Four tales make up the fiction in this issue, which opens with “Fair Trade,” by Jeff Strand. This unsettling tale chronicles a hapless man called out on his infidelity by his wife. She gives him an ultimatum that becomes heavier than initially thought, and then Strand smacks us in the face with a twist ending. He’s good at this, a master.
The second tale is by Shane McKenzie, a young man I can say I’ve been watching since the beginning. He turns in “Fat Slob,” the grossest of the four stories. In it, our morbidly obese hero embarks on a weight loss journey. It features no smoothies or treadmills, no squat thrusts or carb reduction. Just a flab-hungry demonic creature, gruesome and downright icky. Shane does not disappoint when it comes to inducing the cringe.
Barry Hoffman delivers the third tale, “Room for One,” which is quite different in tone than the others. Almost dreamily surreal, but stark and raw in its emotional punch. This short tale of revenge and urban decay is superb and not easily forgotten.
Closing us out is Ronald Malfi and his tale, “The Jumping Sharks of Dyer Island.” A stunning parable about vacations and fraud and things not being what you expect them to be. To say anymore would be a disservice.
Splatterpunk is the real deal. A bare bones gooey love letter to extreme horror. I hope to see it around for a long time.
John Skipp has reviewed Shock Totem #6 on Fangoria’s website.
“[Jack] Ketchum and I are in firm agreement that Shock Totem is living proof that we’re in a golden age when it comes to the short horror story. Some of the best stories ever written are being written right now.”
Born in a New Jersey basement in the mid-90′s, Lore was a DIY magazine for dark fiction and fantasy. In their time, they took home a number of awards, including The Dragon’s Breath Small Press Award for Best New Magazine, as well as had several stories from within their pages garner awards of their own.
I must admit, here, that I had never heard of Lore. This is a fact I am now somewhat ashamed of, after reading this, a collection of stories that appeared during their five-year run. I missed out on some quality reading back in the day.
I won’t go through every story in this collection, but will touch upon those that stuck with me most.
Starting things off with Harlan Ellison is always a smart move. Ellison has long been regarded as a master of speculative fiction, and with “Chatting with Anubis” we get a tongue-in-cheek tale of archaeology and spiritualism and the dark threads that bind them.
“The Mandala,” by Kendall Evans, is a bizarre exercise in surrealism as symbolism. Patricia Russo’s “Rat Familiar” is Grimm-style fantasy that is served up nasty and dark, while Jeffrey Thomas’s “Empathy” is a sadly sweet tale of trust, mistreatment and revenge.
Brian Lumley turns in “The Vehicle” which is a lighthearted “fish out of water” sort of sci-fi tale. Donald R. Burleson gives us what might be my favorite tale in the book, “Sheets,” a terrific haunted-house story, and it is exactly not what you think it is.
All the stories in this volume are strong. Some skirt the edges of the Horror estate, while others wander that bizarre and weird landscape on its outskirts. “The Challenge From Below,” a group-penned tribute to Lovecraft, as well as many other pieces, have never been reprinted before this. And a few are nearly science fiction. All, however, have a classic feel and mature voice.
This is old-school writing.
As of 2011, Lore has resurrected itself. I would have loved the magazine back in its heyday, so I hope to follow them, now, and keep up with what they put out.
This volume can be purchased through the Lore website.
The Shock Totem holiday e-book has been reviewed by Hellnotes and The Crow’s Caw. They dig it!
In general, this issue seems to have gone over well with readers. If you purchased a copy, we’d love to hear your thoughts. Especially in a review on Amazon. The reviews really do help.
And this will help us decide whether or not to do this again next year.
The first two reviews of Shock Totem #4 have come in.
As always we’re greatly appreciative and humbled by the positive response to Shock Totem and the outstanding work our authors have allowed us to publish.
Share the good vibes!
Though it’s not our current issue, a great Shock Totem review is never a bad thing, right?
Check it out here.
Great site, great people, great review. Thanks!
Winni…uh, never mind.
Definitely a very cool site, run by a cool cast of characters. Check them out. And for those looking for some quick reads, check out the sidebar on the right. You’ll dig it.