- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 1
- Splatterpunk #7
Like what you've read here or in the magazine? Please consider donating.
Tag Archives: Gary McMahon
Shock Totem Publications is proud to announce that Dominoes, by John Boden, is now available!
Dominoes is a Little Horror Book, the perfect bedtime read for strange parents and bizarro children, a book not only meant to be read but also experienced.
Praise for Dominoes:
“Now for something strangely different: death falls like a hellish deck of bruised songs through the lives of old and young in the unexpected flow of images screaming in Dominoes by John Boden.” —Linda Addison, author of the Bram Stoker Award-winning How To Recognize A Demon Has Become Your Friend and Being Full of Light, Insubstantial
“Strong stuff. Strange, incantatory, and speaking of things that might already have come to pass. This is some seriously weird shit.” —Gary McMahon, author of Tales of The Walking Wounded, Pretty Dead Things, and The Concrete Grove trilogy
“Equal parts evil and beautiful, John Boden has created a prose poem that reads like a bedtime story that would work best if told right before the apocalypse.” —Adam Cesare, author of Tribesmen, Video Night, and Bound By Jade
“Boden is a master of the surreal. His language is lyrical and haunting, and he packs each sentence with more emotion than other writers manage to accomplish in an entire novel. Dominoes is a wonderfully off-kilter apocalyptic tale of madness and misery.” —Mark Allan Gunnells, author of Asylum, The Quarry, and The Summer of Winters
Shock Totem Publications is proud to announce Dominoes, by John Boden.
Praise for Dominoes:
Dominoes will be released in paperback format this coming October.
“Chirality” is, by definition, an object or system that does not match up to its mirror image. Hands are a common example of this. And we all know “mad” to mean insane or mentally ill. The two words that title this brilliant anthology basically tell you that these tales of varying madness and insanities will not be like anything you’ve read before. More than a title, it is a promise and one that is delivered upon.
The twenty-eight stories that make up Chiral Mad are all quite good. I will not go into all of them but will touch on my favorites.
I was not blown away by the lead story, Ian Shoebridge’s somewhat hallucinogenic “White Pills,” and worried I’d be wading through a volume full of that sort of thing; but the second tale, by Gord Rollo, laid my fears to rest. His “Lost in a Field of Paper Flowers” is a tragic tale of transcendental revenge that made me smile. A dark little smile.
Gary McMahon delivers another sliver of shimmering disturbia and repressed memory with “Seven Pictures in an Album.” While Monica O’Rourke’s “Five Adjectives” is a brutal diorama of denial and avoidance. Chris Hertz gives us firebug lovers in “There Are Embers.”
Eric J. Guingnard turns in “Experiments in An Isolation Tank,” a tale of inheritance, madness and perception, all darkly shaded in Lovecraftian hues.
In Julie Stipes’s “Not the Child,” a young mother sees the harbingers of death in her neighborhood and discovers it was not by accident. Jeff Strand’s “A Flawed Fantasy” takes the picking-up-a-strange-woman-at-a-bar trope and changes the game with a clever ending.
Jack Ketchum turns in a squirmy tale of marital discourse, nosebleeds, and strange visitations with “Amid the Walking Wounded.”
And then there is “Need,” by Gary A. Braunbeck. (Deep breath.) This might be the best short story I have read years. Its premise is simple: We are all saviors and we are all monsters. Told out of chronological order, it chronicles a tragedy in a town and the mark the heartbreaking event made on those who live there. It’s a haunting tale, one I found, and still find, playing on my mind. It hurts.
None of these stories are bad. Not a single one. Some resonated with me more than others, but that is to be expected. The writing is topnotch, and the subject matter is widely varied and innovative. These folks dug their toes in and went for big game. They have the trophies to show for it.
And if a collection of outstanding horror is not motivation enough for you to plunk down your hard earned money on Chiral Mad, I offer this enticement: All proceeds go to Down’s Syndrome charities. So buy a copy. And another for a friend or relative. Maybe a few more to sock away for Christmas gifts. Support the cause and read these stories.
I applaud Michael Bailey for publishing this…
John Skipp has reviewed Shock Totem #6 on Fangoria’s website.
“[Jack] Ketchum and I are in firm agreement that Shock Totem is living proof that we’re in a golden age when it comes to the short horror story. Some of the best stories ever written are being written right now.”
Shock Totem Publications is very happy to announce that our sixth issue is available for purchase!
Don’t listen to this guy. Tell everyone!
Shock Totem returns with its sixth issue, featuring stories that range from troubling tales of loss to chilling examinations of mankind’s dark side. In “Lighten Up,” four-time Stoker Award™-winner and Grandmaster of Horror Jack Ketchum gives us a dose of dark humor that still manages to be righteously menacing. “The River,” by rising star Lee Thompson, is a brutal tale of purgatory, wasted life, and regrets.
Soulmates connect through murder, love and revenge in P.K. Gardner’s “For Jack.” In “Orion,” a young girl who has only known darkness makes the ultimate sacrifice—in blood. “No One But Us Monsters,” by Hubert Dade, follows a man who is haunted and tormented by his own crippling fears. Mail hoarding, sin eaters, political horror, Shock Totem #6 runs the gamut.
Also included: Conversations with Lee Thompson and seven-time British Fantasy Award nominee Gary McMahon, as well as narrative nonfiction—a tale of true horror—by Ryan Bridger. An editorial about inspiration; the latest installment of “Bloodstains & Blue Suede Shoes,” which examines the connections between music and horror; plus reviews and much more…
Come see why Shock Totem is billed as “…one of the strongest horror fiction magazines on the market today” (Hellnotes).
Interested in our back catalog? All past issues are still available digitally and in print and can be ordered directly from us or through Amazon and other online retailers
As always, thank you for the support!
Right on the heels of our fashionably-late fifth issue, we are proud to announce that our sixth issue is primed and almost ready to go. I am doing the layout this time, so I’m making sure everything is perfect. It’s close, though.
For those who have yet to see it, here is the cover artwork:
Once again the cover art was created by the brilliant Mikio Murakami, who has done all our magazine artwork since issue #3.
Here is the official Table of Contents:
* The Spectacular Inspiration Suit, by John Boden (Editorial)
* For Jack, by P.K. Gardner
* Orion, by Michael Wehunt
* The Hard Way: A Conversation with Gary McMahon, by John Boden
* Ballad of the Man with the Shark Tooth Bracelet, by Lucia Starkey
* She Disappeared, by Ryan Bridger (Narrative Nonfiction)
* Strange Goods and Other Oddities (Reviews)
* No One But Us Monsters, by Hubert Dade
* The Cocktail Party, by Addison Clift
* Bloodstains & Blue Suede Shoes, Part 4, by John Boden and Simon Marshall-Jones (Article)
* Lighten Up, by Jack Ketchum
* Magnolia’s Prayer, by John Guzman (2012 Shock Totem Flash Fiction Contest Winner)
* When We Crash Against Reality: A Conversation with Lee Thompson, by K. Allen Wood
* The River, by Lee Thompson
* Howling Through the Keyhole (Author Notes)
Yet again we feel this issue sits well apart from previous issues, though without straying too far from what readers have come to expect from us. We dig it, and we’re confident you will as well.
Look for it soon in digital format. Print will follow shortly after, and if interested you can preorder it here.
As always, thank you for your continued support!
I would like to start and say I am not, nor have I ever been, a fan of “series” novels. I have too short of an attention span to commit to that sort of thing, usually. I would now like to thank—and damn—Gary McMahon for making me eat those words.
I have recently read the two books comprising his Thomas Usher series, and can only hope for more. With a series, character is key, and Gary gives us some incredible examples.
In the first of the pair, Pretty Little Dead Things, we meet Thomas Usher, a broken man reeling from the loss of his wife and daughter. He survives the accident that claimed his family with a gift—or a curse depending on your perception. He can see the recently deceased, and it ain’t pretty. Trying to remain on the periphery of society, he does odd psychic investigative work and crosses paths with some seedy and unpleasant people. He wears a uniform of tattoos: a list of names of the dead he feels he has failed.
When he lands a job trying to find the culprit behind the strange murder of a gangster’s daughter, it changes him forever.
His gift proves to be his strongest weapon and weakest link, as he walks the blurred line between our world and a much darker fringe dimension. Where evils, both human and cosmic, are on his tail and where things are decidedly not as they seem.
Dead Bad Things picks up months after the Pretty Little Dead Things’s conclusion, and cleverly features sideline characters from that first novel and brings them forward for deeper scrutiny.
Our reluctant hero begins this chapter of the series in a London slum, waking up to the ringing of the telephone in a haunted house. A robotic voice directs him and starts him on a sloping path of horrific crimes and disturbing visions. Someone is killing children, drilling holes in their heads. People are not as they seem. Usher will discover many things along the way, nasty vile things.
Now, I gave away very little, because to do so would be a blasphemy. You must read McMahon’s engaging words, his descriptive flair for painting dreary and haunting visions behind our eyes. His rundown neighborhoods and scumbag dives are so repulsive, I felt the fleas crawling on my skin. The baddies are really bad and the good guys are sometimes bad as well. Nothing is ever really what you seem to think it is, and when you think you’ve got it sussed, you’re wrong. I love that.
I was at work, on lunch break, when I was finishing this book. A kid asked me what it was about, and as I started explaining his eyes began to glaze. I knew I was losing him, so I said, “It’s like an unholy cocktail of The Sixth Sense, Memento and Wire in the Blood…with an ounce of Hellraiser.” I got the impression that was lost on him as well. Sigh…
Both of these titles are available from Angry Robot Books.
When my mate, Simon Marshall-Jones, mentioned he was launching a small-press venture, I must admit I was hesitant to start with the unmitigated support. Face it, there is no shortage of small-press outfits and it is a tough thing to do and succeed at. He then told me of his idea to do limited-edition chapbooks—a little voice mumbled in my ear, “He may be doomed,” but then that little voice is a pessimistic fucker. So I said only supportive things. Simon plugged and pimped his wine-drinking, cheese-eating ass off for weeks and when the debut chappy from Spectral Press dropped in February, I got one. What They Hear in the Dark, by Gary McMahon, was that lucky 1 of 100, but the truly lucky are the ones who actually got to read it.
I tore through What They Hear in the Dark in a half an hour—which is a perfect chapbook, if you ask me. I will start by saying that this is a sharp-looking booklet. Nice artwork and wonderfully done. It has a nice collectible feel. And then we get to the actual story: A superb tale about a haunting, a couple buying an old house to renovate and work through a personal tragedy only to find themselves haunted by emotions heavy and horrifying. McMahon’s descriptions of the emotions at work here are fantastic. I am eager to check out more of his work and extremely anxious to see what is next from Spectral Press.
I wrote the above short review for my blog a few months back, and as I just received and read the second offering from Spectral Press, Gary Fry’s Abolisher of Roses, I decided to combine the two into one piece.
I am very close to saying I liked this one more than the first chapbook, but they aren’t quite the same sort of story, so that would be wholly unfair. Fry’s story relies just as heavily on emotion as McMahon’s, but it’s handled differently. Both have strong characters and settings and the attention to detail is exquisite.
Abolisher of Roses tells the story of Peter, husband and not really that great a fellow, and his wife Patricia. The simple synopsis would be to say, this is a “fish out of water” story, as Patrick is taken out of his comfort zone and into an element he is completely unsure of. His wife has gotten into the local art scene and seems to be dragging him along and he is out of sorts about it. She goads him into attending an exhibit where her work will be on display and he agrees, but once there, and once scoping out the “art trail,” things take a dark turn. He encounters his inner feelings and odd occurrences. The ending is haunting and fantastic.
I told Simon upon finishing this, that it was like an unholy episode of Night Gallery, if it had been directed by Clive Barker. And that is mighty high praise, as is the fact that both of these authors, Fry and McMahon, are now on my “must seek out and read more from” list. I can say with all honesty, I cannot wait to see what Spectral Press puts out next. I’m certainly a fan.