Shock Totem #10 (Jan 2016)
- Shock Totem Returns!
- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 1
Like what you've read here or in the magazine? Please consider donating.
Tag Archives: Gord Rollo
“Chirality” is, by definition, an object or system that does not match up to its mirror image. Hands are a common example of this. And we all know “mad” to mean insane or mentally ill. The two words that title this brilliant anthology basically tell you that these tales of varying madness and insanities will not be like anything you’ve read before. More than a title, it is a promise and one that is delivered upon.
The twenty-eight stories that make up Chiral Mad are all quite good. I will not go into all of them but will touch on my favorites.
I was not blown away by the lead story, Ian Shoebridge’s somewhat hallucinogenic “White Pills,” and worried I’d be wading through a volume full of that sort of thing; but the second tale, by Gord Rollo, laid my fears to rest. His “Lost in a Field of Paper Flowers” is a tragic tale of transcendental revenge that made me smile. A dark little smile.
Gary McMahon delivers another sliver of shimmering disturbia and repressed memory with “Seven Pictures in an Album.” While Monica O’Rourke’s “Five Adjectives” is a brutal diorama of denial and avoidance. Chris Hertz gives us firebug lovers in “There Are Embers.”
Eric J. Guingnard turns in “Experiments in An Isolation Tank,” a tale of inheritance, madness and perception, all darkly shaded in Lovecraftian hues.
In Julie Stipes’s “Not the Child,” a young mother sees the harbingers of death in her neighborhood and discovers it was not by accident. Jeff Strand’s “A Flawed Fantasy” takes the picking-up-a-strange-woman-at-a-bar trope and changes the game with a clever ending.
Jack Ketchum turns in a squirmy tale of marital discourse, nosebleeds, and strange visitations with “Amid the Walking Wounded.”
And then there is “Need,” by Gary A. Braunbeck. (Deep breath.) This might be the best short story I have read years. Its premise is simple: We are all saviors and we are all monsters. Told out of chronological order, it chronicles a tragedy in a town and the mark the heartbreaking event made on those who live there. It’s a haunting tale, one I found, and still find, playing on my mind. It hurts.
None of these stories are bad. Not a single one. Some resonated with me more than others, but that is to be expected. The writing is topnotch, and the subject matter is widely varied and innovative. These folks dug their toes in and went for big game. They have the trophies to show for it.
And if a collection of outstanding horror is not motivation enough for you to plunk down your hard earned money on Chiral Mad, I offer this enticement: All proceeds go to Down’s Syndrome charities. So buy a copy. And another for a friend or relative. Maybe a few more to sock away for Christmas gifts. Support the cause and read these stories.
I applaud Michael Bailey for publishing this…
Earlier this year, Jan Kozlowski delivered her debut novella, Die, You Bastard! Die, via Ravenous Shadows, an imprint where every book is handpicked by John Skipp. This fact alone should be enough for most horror fans to take note, but if it isn’t let me up the ante: This book is hardcore!
Claire is a paramedic, and a damn good one at that, one who has spent her adult life trying to make up for and forget her childhood.
The novella opens with her and her partner answering a disturbing call: A little girl trapped beneath the body of a naked man. This case, coupled with a phone call, drags Claire back to the horrific events of her childhood and a lifetime of dark and dastardly suffering at the hands of her father.
Her father has been hospitalized, and in answering the call Claire is drawn into a warped scenario of revenge and double-cross and some of the most disturbing tactics ever committed to the printed page.
Ravenous Shadows debuted with a lofty promise of nearly forty titles a year, but sadly hit the wall after only five. Other than Jan’s, I have only read Adam Cesare’s wonderful Tribesmen, although I intend to track down and read the remaining titles.
Maybe after this unspecified hiatus Ravenous can get all oars in the water again and keep the line flowing. I truly hope so, but if not I am already grateful for being turned on to a pair of great authors I hope to follow for quite some time.
Dybbuk Press dropped this little collection, edited by Michael Stone and Christopher J. Hall, way back in 2006. Consisting of seven stories, all poised to slap you in the face and hopefully knock out a few teeth. It was a promise I found sadly unfulfilled.
We open with the tale “Pool Sharks,” by Gerald Brennan. This is more or less hood-heavy, thug drama with a simple ghost-story twist ending. Not a bad story, but not anything a veteran watcher of Twilight Zone would not have seen coming. Next up is Garry Kilworth’s “The Stray,” a strange little number that is heavy with metaphor and satirical symbolism. Quite clever at times and a little silly at others, I rather enjoyed it. Michael Hemmingson’s “Hardboiled Stiff” is an overlong exercise in noir and the undead.
Ronald Malfi’s story, “All the Pretty Girls,” is my favorite. What we get is a darkly strange and spiritual tale of a man working to appease his god—in a very sinister fashion. Gord Rollo gives us a standard evil-tattoo tale in “Moving Pictures,” while Davin Ireland delivers “The Essences,” a story with an almost-dark-fantasy vibe. Closing out the collection is Michael Boatman’s gory “Bloodbath at Lansdale Towers,” a morality tale with a knifey twist.
While I did enjoy Badass Horror, only Malfi’s made me stand and say, “Wow!” Overall I couldn’t help but feel there was not enough “badass.” But I was entertained and could not call the evening spent reading this a disappointment.
Before reading Black Bubbles, released by Thunderstorm Books, earlier this year, I was familiar with Kelli Owen only by name, having never read her work. After reading Black Bubbles, I can say that Owen is a very good writer of dark fiction.
Reliant on character over shock and awe, I found this collection to be good, with several stories hanging on the cusp of “Holy shit, this is brilliant!” There was, however, one story that floored me. So much so that I have re-read it at least five times since the initial read, and given the amount of stories I read a year, that is saying something.
I won’t go over all of the tales, but will touch upon a few that I dug. “The Tin Box” is a familiar theme but the angle and delivery are what makes this a standout. The passing of a grandparent opens up an atmosphere of reminiscence and love…until they find evidence of family secrets best left hidden. “Shadows in a Bowl of Soup” is a wonderful prose piece. “Dig the Hole” is a fantastic slice of dark reality. A groovy little violent satire on therapy and sociopaths comes in the name of “How’s That Make You Feel?”
But “Spell” is the one. THE ONE! This story punched me in the face, wiped the blood from my lips, and then drew a big L on my forehead for not having expected it. Simply amazing story. I’m not even going to mention its plot as that would be a disservice to it.
Black Bubbles is a solid collection. While some stories were very strong, and others seemed like they could have been a bit more fleshed out, I liked every one. I hope to check out more of Kelli’s work in the future.