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Tag Archives: Interviews
“THE SPOOKY STUFF”
A Conversation with James Newman
by John Boden
“THE SPOOKY STUFF”
A Conversation with James Newman
by John Boden
James Newman…a Southern Gentlemen who gave us the novels Midnight Rain and The Wicked, as well as such novellas as the co-authored Night of the Loving Dead, with James Futch, and Holy Rollers. And his latest novel, Animosity, was just released through Necessary Evil Press.
Newman was kind enough to take time out of his busy schedule to sit and chew the fat with me…
JB: James, we’ve known each other a few years, met up—where was it, the old Horror Channel board? I don’t recall, do you?
JN: I think that’s right. Of course, I can barely remember what I did last week, half the time. I used to think it was because I’d smoked too much weed back in the day. Now I know it’s just ’cause I’m getting old.
Seriously, though, thanks for asking me to do this. It’s always a pleasure talking to you, John.
The Zombie Feed, Vol. 1 is the first anthology published through the new Apex Publications imprint, The Zombie Feed Books. It features zombie-fried fiction from seventeen authors, of which I am one. Recently, contributing author Maggie Slater offered up her blog for a series of three-question interviews with several of the anthology’s authors, so I am returning the favor.
Below you can read Maggie’s interview as well as those interviews hosted on her blog.
And if you’re interested, check out The Zombie Feed, Vol. 1. You can pick up your copy from Amazon.com, Barnes & Noble.com, or from The Zombie Feed directly. Get it on your Kindle or your Nook (or in any e-format from Smashwords) for just $2.99! Seventeen kick-ass zombie stories for $2.99! Can you dig on that?
1. The Writing Question: If you could sit down with one author, from any time in history to today, to get a writing lesson, who would it be?
I had three answers for this initially—Samuel R. Delany, Edith Wharton, and Roald Dahl. If I had to narrow it down, though, I’d pick Samuel R. Delany for several reasons. First, I’d love to just talk fiction with him—I’m about 90% through Dhalgren, and reading it as a writer is a little Twilight Zone-esque. All of Kid’s thinking and working and pondering the process and experience of creating a work of writing feels so intimately familiar, even as his process is different. I’ve also read Mr. Delany’s book About Writing which is hands-down the best book about the writing process I’ve ever read. It’s not an instructional manual, but almost a treatise on the creative endeavor. His discussions about the inner editor were very influential on me, and his emphasis on care when drafting, of really visualizing the scenes, works much better for me than the mantra “just write the first draft as fast as you can” which seems to work very well for others. His essays feel very close to a one-on-one discussion, as do the letters in which he’s critiquing a work sent to him, but it’d be great to get a few pointers in person!
So that’s one part. The other part is that whenever I read a novel by Samuel R. Delany, it reminds me of what writing can be. Not just in terms of style and poeticism, but in the sheer vividness of imagination, both in content and in execution. Reading his work always reminds me that I can push my own boundaries and play in realms that aren’t common in the books you’ll find on the bookstore shelves, that not all stories have to be told the same way. I can lock myself into tunnel vision pretty easily when it comes to “how you’re supposed to write”, so reading a good Delany novel can kick me out of that and set me on better paths.
2. The Horror Question: What used to scare you the most as a child?
Funny story: zombies, actually. Back in fifth grade, I went to a Halloween party a friend of mine was having, and they showed Night of the Living Dead Returns, which completely freaked me out. (I mean, it didn’t take much back then: I was terrified of ET, also.) Needless to say, after watching about thirty minutes of NotLDR, I left the room and couldn’t watch any more. For a month I didn’t sleep unless my mom was in the room, I closed my eyes whenever we passed any kind of structure that looked like a medical warehouse, and it seemed like ages until I could hear the word “paramedics” without feeling queasy.
That experience actually set me back probably five years: I actively avoided horror movies (or even not-so-scary PG-13s, like Jurassic Park) until I was about fifteen. Then I saw The Sixth Sense, and fell in love with it. I’d always loved ghost stories, but the film format always made me nervous. After that, and after realizing that I could watch certain spooky movies without getting horribly vivid nightmares afterwards, I started pushing my limits of tolerance bit by bit, until in college I finally watched Shaun of the Dead, and thus my fear of zombies was…well, not quite over—they’re still creepy as hell—but at least resurrected as a fondness, rather than abject terror!
3. The Oddball Question: If you could be friends with one fictional character, who would it be and what kind of venue would you meet at?
Oh, hands down (and this is rather like using one of my three wishes to wish for more wishes): Nero Wolfe. We’d meet at the brownstone, of course, on West 35th Street in New York City, and have a delightful meal (perhaps game hens) prepared by his brilliant chef, Fritz. Of course, Archie Goodwin would have to be there too, and (don’t tell my husband) I’d definitely let him take me dancing once in a while, just to keep my footwork sharp, of course. I certainly wouldn’t protest if Saul and Orrie and Fred joined us, and if Jackie Jaquette or Lily Rowan wanted to stop by, I wouldn’t mind at all! Then, after dinner, Wolfe would show me his most recent breed of orchid, and we’d discuss potting material, plant genetics, and books, of course. It’d be the perfect evening!
Maggie Slater writes in Maine, where she lives with her husband and two old, cranky cats. She has seen her work published in a variety of venues, such as Dark Futures: Tales of SF Dystopia, The Zombie Feed Anthology Vol. 1, and most recently in Leading Edge Magazine. She currently moonlights as an assistant editor for Apex Publications. For more information about her and her current writing projects, visit her blog at maggiedot.wordpress.com.
And if you’re interested in the rest of the Three Questions interviews…
As some of you know, one of our own, the lovely Mercedes M. Yardley, has been on bed rest for the past six weeks or so, and she’s been away from the Internet for a little over a week. The reason for this can be read here.
I spoke to Mercedes today. (Freaked her out at first, I think. She wasn’t taking to my fake weirdo-redneck accent.) She’s home now, still on bed rest (can’t sit up at all), and is still unable to get online. Though I think I gave her some workable ideas on how to rectify that.
Apparently, when she was in the hospital, she was having contractions every two minutes. Amazing that doctors can reverse that. The doctors did an amniocentesis and removed a lot of fluid, so that relieved some pressure, which was partly the cause of the contractions. Plus she’s on steroids to help further suppress the contractions.
I don’t envy her, but she’s doing well enough and seems to be in good spirits. Sounded like any other happy 9-year-old girl. Haha. (Have you heard her childlike voice?)
Oh, and she says she met a nurse in the hospital who was a fan of Shock Totem. How cool is that?
You can read read the interview here. Rock!
“ONE FOOT IN DARKNESS”
A Conversation with John Skipp
by John Boden
For most—horror readers and writers, at least—John Skipp needs no introduction. The rest of you, however…
John Skipp came into prominence in the mid-80s, pioneering the splatterpunk style of horror with Craig Spector. Together, the duo tainted the 80s and early 90s with more than a half dozen nasty novels. They split as collaborators in 1993.
Since their split, Skipp has continued collaborating as well as writing solo. He’s also branched out into music, film, and family. And in recent years, he has resurfaced as a ferocious blip on the literary radar; first with the novella Conscience followed by The Long Last Call, a novel. Both were repressed together in 2007. His most recent works are Jake’s Wake, a new collaborative novel with Cody Goodfellow, and Opposite Sex, an erotica e-book, by the lovely Gina McQueen (aka John Skipp).
Most, if not all, of this is touched upon in the following interview…gleaned from the man himself through a series of e-mails and phone calls. Enjoy!