Shock Totem #10 (Jan 2016)
- Closing for Submissions
- Shock Totem Returns!
- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
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Tag Archives: Jamie Lackey
Being aware of the competition is one of the first things they teach in business classes. One of the magazines that Shock Totem is sometimes mentioned with is Lamplight. Edited by Jacob Haddon, Lamplight delivers short fiction and classic public domain tales that are usually—and wrongfully—long forgotten. These are corralled with great interviews and a series of non-fiction pieces written by J.F. Gonzalez that chronicle varying stages and movements in horror literary history. Very inspirational and educational work there.
This compendium gathers all printed work from Lamplight’s first year, four issues, and most of it is quite good. From Kevin Lucia’s staggering tale of guilt, regret and the special ghosts they make to Elizabeth Massie’s story “Flip Flap,” which is quite a wonderful tale of sideshow revenge. Robert Ford gives revenge a new face and it’s muddied with garden soil. Kelli Owen’s “Spell,” which I raved about when I reviewed her collection last year, is still one of my favorite short stories of all time. Brilliant and harrowing.
Nathan Yocum hands in one of the saddest and sweetest apocalyptic tales I’ve ever read in “Elgar’s Zoo.” In and around these tales are numerous others. William Meikle’s retro-styled “The Kelp” buoys alongside Tim Leider’s angry rantosaurus of a tale, “A Gun to Your Head.” The stories are all fairly solid. In fact, were I to harbor any sort of negative criticism at all, it would be the directed at the interviews, rather the lack of creativity in them. The same questions are asked of each author. Very little interplay, which makes them come off sort of contrived. As an interviewer myself, I know they can be a bitch to nail. I hope that in time this fellow learns to inject a little personality in the mix.
Overall, Lamplight is a great publication with a fine eye for dark fiction. A comrade more than competition. In this business, we need more of the former and less of the latter. We’re all on the same ship, in the same choppy waters, and I would gladly share a lifeboat with Lamplight. Give them a shot.
I met editor/author Eric J. Guignard last year in Las Vegas while attending KillerCon. An amiable guy with a great sense of humor and an appreciation for beat-up red Chuck Taylors. We hit it off.
So when he asked me if I’d be willing to review his latest anthology, I said certainly.
After Death is a collection of over thirty tales, all involving what happens upon the departure from this mortal coil. Some of them are good, others are amazing, and a few are merely okay.
The volume opens with Andrew S. Williams’s “Someone to Remember,” which is a wonderful meditation on loss and promises, all threaded through the mythos of Charon, the ferryman. “Sea of Trees,” by Edward M. Erdelac contains some horrific and lingering images and a story that is as jarring as it is resonant. Steve Rasnic Tem, an author I have adored for years, turns in a heartbreaking tale of the abandonment death leaves and those who remain. It is haunting and full of hurt.
In “Mall Rats,” James S. Dorr exposes the hereafter as trapped in the after mall. And in “Forever,” the strongest story in the lot, John Palisano weaves a quilt of sadness, loss, and heartbreak that will leave you reeling. I have no words to express the emotions this tale stirs, but stirs it does and quite violently. Brilliant!
Jamie Lackey turns in the sweet and wonderful “Robot Heaven,” and Simon Clark’s “Hammerhead” is an exercise in reincarnation and revenge that is spellbinding. Steve Cameron gives us “I Was the Walrus,” in which a man follows his past identities to some lofty and surprising conclusions. “Be Quiet at the Back,” by William Meikle, is a humorous parable of the definition of sin and consequence.
There are quite a number of tales I didn’t remark on, not because they were poor, but because they just didn’t have the same impact as those mentioned above. That is the rough cross to bear with an anthology. On the whole, Guignard has assembled a great roster of talent—quite a few of which I had never heard of or read before—and given us a rich and heavy menu of possible aftermaths to the grand finale. You won’t be disappointed.