Shock Totem #10 (Jan 2016)
- Shock Totem Returns!
- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 1
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Tag Archives: Jesse David Young
The second annual Anthology conference (AnthoCon) has come and gone…
One of the best parts of all conventions is seeing old friends, making new ones, and interacting with fans (like to the two women from Maine who can never remember which issues of Shock Totem they own, but always buy something—thank you!).
This time we shared space with Robert J. Duperre and Jesse David Young of T.R.O. Publishing, and we had an absolute blast. We’ve known them both online for a long time now, but it was great to finally meet in person. Lots of laughs were had.
Robert, Ken, Sarah, and Jesse.
Robert sold copies of The Gate: 13 Dark and Odd Tales, The Gate 2: 13 Tales of Isolation and Despair—which contains my story “The Candle Eaters”—plus his standalone novel Silas and his four Rift-series novels: The Fall, Dead of Winter, Death Springs Eternal, and The Summer Son. All of which come highly recommended. Jesse, artist of The Wicked and all T.R.O. Publishing releases, sold prints and ate obscene amounts of barely-cooked animals.
Sarah and I sold copies of Beautiful Sorrows, The Wicked, and Shock Totem, 33 in all, which we consider to be quite a success. Sarah also sold a few of her horror-themed tag blankets. We’ll be selling the blankets soon through our store.
As previously mentioned, Shroud Publishing/The Four Horsemen, LLC., released their debut anthology, appropriately titled Anthology: Year One. My story “She Cries” is featured.
A is for Awesome.
The anthology is now available in print through Amazon for $14.95. It looks to be a great one.
Special thanks and mucho respect goes out to the Four Horsemen—Tim Deal, Mark Wholley, jOhnny Morse, and Danny Evarts—for all their hard work in putting on such a great convention. For only its second year, I was impressed. Many of the (minor) complaints I had with last year’s convention were non-issues this year. So I applaud them.
In closing, I’d like to give a nod to Gary Braunbeck who, in his keynote speech, referenced and read his favorite poem, which just so happens to be my favorite poem. It’s by Stephen Crane, whose poetry—indeed the bulk of his fiction—is criminally underrated…
I saw a man pursuing the horizon;
Round and round they sped.
I was disturbed at this;
I accosted the man.
“It is futile,” I said,
“You can never—”
“You lie,” he cried,
And ran on.
So I tip my hat to Mr. Braunbeck. And we’ll see everyone next year!
Most artists live in the shadows of their work—and few see them.
We have sold thousands of copies of Shock Totem, and one thing we’re consistently complimented on is our cover art. This happens all the time. Think about that. We get complimented for something we did not create. All the time. The artist, for the most part, is ignored.
Sure, someone from Taiwan got on his back a tattoo of a slightly altered version of the cover art for issue #1—which is flippin’ brilliant—but that’s an extreme compliment. How many people have just e-mailed our artists to tell them how great their work is? Few, if any. I’d bet a lot of money on that.
But they tell us. Again, all the time.
Much like the fact that most people don’t understand how much time and effort an author puts into creating his work, I don’t think people understand or appreciate how much goes into creating cover art—or album art, a painting, a cartoon, etc.
On our Facebook page, we have a photo collection called Resonance. In it you’ll find a series of photos that includes numerous drafts of ideas for cover art we didn’t use, as well as early/alternate versions of the cover art we eventually did use. We want people to see part of the process, because it’s a long one that takes a lot of time and hard work.
As mentioned recently, we will soon reissue James Newman’s ode to 80s horror, The Wicked. We commissioned new artwork from Jesse David Young, as well as numerous interior illustrations. This process began back on September 16, 2011. Over six months ago. To give you a glimpse of what goes on behind the scenes, I’ve put together a little slideshow which begins with the very first sketch idea and ends with the final product.
(All the artwork was done by Jesse David Young, but the layouts for final three covers shown were done Mikio Murakami, Rex Zachary, and Yannick Bouchard, respectively.)
Scroll down this page a bit, and on the right sidebar you’ll see a section labeled Artists of the Totem. Below it, links to all the artists that have helped make Shock Totem great. Check them out, hire them—or, at least, if you like their work, let them know.
T.R.O. Publishing recently released the second installment of The Gate series, The Gate 2: 13 Tales of Isolation and Despair, an anthology featuring work from two of Shock Totem’s own—Mercedes M. Yardley (“Black Mary”) and me, K. Allen Wood (“The Candle Eaters”).
[ Copyright © 2012 by Jesse David Young ]
In addition, you’ll find work by Daniel Pyle, Steven Pirie, David Dalglish, Robert J. Duperre, and seven others.
So if you’re looking for some great fiction at no cost, check out The Gate 2.