- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 1
- Splatterpunk #7
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Tag Archives: K. Allen Wood
Right on the heels of our fashionably-late fifth issue, we are proud to announce that our sixth issue is primed and almost ready to go. I am doing the layout this time, so I’m making sure everything is perfect. It’s close, though.
For those who have yet to see it, here is the cover artwork:
Once again the cover art was created by the brilliant Mikio Murakami, who has done all our magazine artwork since issue #3.
Here is the official Table of Contents:
* The Spectacular Inspiration Suit, by John Boden (Editorial)
* For Jack, by P.K. Gardner
* Orion, by Michael Wehunt
* The Hard Way: A Conversation with Gary McMahon, by John Boden
* Ballad of the Man with the Shark Tooth Bracelet, by Lucia Starkey
* She Disappeared, by Ryan Bridger (Narrative Nonfiction)
* Strange Goods and Other Oddities (Reviews)
* No One But Us Monsters, by Hubert Dade
* The Cocktail Party, by Addison Clift
* Bloodstains & Blue Suede Shoes, Part 4, by John Boden and Simon Marshall-Jones (Article)
* Lighten Up, by Jack Ketchum
* Magnolia’s Prayer, by John Guzman (2012 Shock Totem Flash Fiction Contest Winner)
* When We Crash Against Reality: A Conversation with Lee Thompson, by K. Allen Wood
* The River, by Lee Thompson
* Howling Through the Keyhole (Author Notes)
Yet again we feel this issue sits well apart from previous issues, though without straying too far from what readers have come to expect from us. We dig it, and we’re confident you will as well.
Look for it soon in digital format. Print will follow shortly after, and if interested you can preorder it here.
As always, thank you for your continued support!
This coming weekend, at the fourth annual Killercon convention in Las Vegas, joining the likes of F. Paul Wilson, Wrath James White, Jack Ketchum, John Skipp, Adam Cesare, and more, the Shock Totem Five will be meeting in person for the first time ever. We will have a vendor table all weekend long. If you’re attending, we’d love to meet you.
We are hosting a party Friday night as well. I say party, but since everyone shot down all my great ideas–bouncy castle, Sumo wrestler outfits/matches, Andrew WK karaoke battles–I’m not sure how much of a party it’ll be, but it’ll be fun…because when it’s time to party we will always party hard!
Yeah, I went there.
In addition, we will be doing a special pre-release of our upcoming collection, Beautiful Sorrows, by Mercedes M. Yardley. Own it weeks before its official release. We’ll have fifty paperback copies available (there will also be a limited edition hardcover release) at a special discount price. Mercedes will gladly autograph your copy. She’ll be doing a reading from the book as well.
For more info, click here. Preorders for the official paperback and hardcover release will go up later today and tomorrow. If you have any questions, please let us know.
Hope to see you there!
Some staff news, ya’ll! Cue banjo!
This coming October, if not sooner, Apex Publications is set to release Appalachian Undead, a new anthology dedicated to the walking dead. I contributed a quirky tale called “Long Days to Come.”
[ click for full image ]
The brilliant artwork was created by Cortney Skinner. Quite a lineup, too: Elizabeth Massie, Jonathan Maberry, Tim Waggoner, S. Clayton Rhodes*, Maurice Broaddus, Bev Vincent, Tim Lebbon, Steve Rasnic Tem, John Skipp* & Dori Miller, and Gary A. Braunbeck, to name a few more than a few.
If you’d like to check out the full table of contents, click here.
You can also pre-order via the above link (and get 5% off if you tweet the link), but before you do, check out this groovy contest they’re running for those who do pre-order.
As always from Apex Publications, you can expect quality.
Not to be outdone, Mercedes and John each have stories—“Murder for Beginners” and “Intruder,” respectively—in Psychos: Serial Killers, Depraved Madmen, and the Criminally Insane, the latest slab—and I do mean slab; these things are massive—in an ongoing series edited by the inimitable John Skipp which has thus far included Zombies: Encounters with the Hungry Dead, Werewolves and Shapeshifters: Encounters with the Beasts Within, and Demons: Encounters with the Devil and His Minions, Fallen Angels, and the Possessed.
[ click for larger image ]
Psychos is due out in September via Black Dog & Leventhal, and features new and classic fiction from the likes of Ray Bradbury, Robert Bloch, Jack Ketchum, Joe R. Lansdale, Lawerence Block, Neil Gaiman, Leslianne Wilder*, Violet LeVoit, Weston Ochse*, Kathe Koja, and many more.
If you order now, Amazon has it for $10.07. That’s 608 pages for $10! No-brainer.
We hope you’ll buy both!
* Shock Totem alumni.
FULL DISCLOSURE: The editor and publisher of this anthology, Robert J. Duperre, occasionally writes reviews for Shock Totem. The book also features work from Duperre as well as stories from Shock Totem publisher K. Allen Wood and editor Mercedes M. Yardley.
While horror has traditionally been associated with gore and the supernatural, it often finds it’s most fertile soil in ordinary themes that we are truly frightened of.
We can all enjoy stories about vampires or zombies, but those things don’t scare us much because no matter how skilled the author is at creating what Coleridge referred to as the “suspension of disbelief” we know that we can put the book down and walk away from it knowing that those things are not real.
But we’ve all been lonely. Even the most misanthropic among us would find it difficult if not impossible to survive in a state of total isolation. It’s why of all the cruel and unusual punishments we inflict on criminals, one of the most feared is solitary confinement, which can often create symptoms of psychosis in otherwise normal inmates.
In The Gate 2: 13 Tales of Isolation and Despair, published by T.R.O. Publishing, editor Robert J. Duperre offers us a varied assortment of horror tales. Some of them have supernatural elements, others don’t. Some are grim, some are humorous, some are creepy. The common thread running through these stories is the theme of isolation. It tinges the humor with sadness and makes the supernatural more believable.
This is a great collection. Some stories I liked better than others, of course, but none were duds, a relative rarity among independent anthologies. I especially liked how each author approached the theme of isolation from such different angles. Each story is also accompanied by a full-page illustration by Jesse David Young.
In the first story, “Plastic,” author J.L. Bryan gives us a funny and poignant take on the post-apocalyptic man who finds himself alone theme that we’ve all seen before. Bryan’s version is a fresh spin on the common topic, and genuinely comical. Daniel Pyle’s “Night-Night” is a nifty little story that kept its twist well hidden.
In one of the most literary stories, Steven Pirie offers us a gut-wrenching insight into the casual cruelties that many people inflict on people who are isolated within themselves by severe injuries. All of the stories here are well written, but Steve’s “Does Laura Like Elephants?” stands out as a real gem.
K. Allen Wood’s “The Candle Eaters” is a classic and very effective look at a Halloween tradition with an unusual spin. And in one of the creepiest stories of the volume, Mercedes M. Yardley offers us “Black Mary,” a very effective story that I really can’t summarize without giving it away. You’ll just have to get a hold of this volume and read it along with all the rest for yourself. You’ll be glad you did.
T.R.O. Publishing recently released the second installment of The Gate series, The Gate 2: 13 Tales of Isolation and Despair, an anthology featuring work from two of Shock Totem’s own—Mercedes M. Yardley (“Black Mary”) and me, K. Allen Wood (“The Candle Eaters”).
[ Copyright © 2012 by Jesse David Young ]
In addition, you’ll find work by Daniel Pyle, Steven Pirie, David Dalglish, Robert J. Duperre, and seven others.
So if you’re looking for some great fiction at no cost, check out The Gate 2.
Later this month, at this year’s Bram Stoker Awards™ banquet, to be held at the World Horror Convention in Utah, Mercedes and I do battle. To the death!
Okay, maybe not to the death.
And maybe it’s not so much a battle.
But we are both lucky enough to have stories included in an anthology up for a Stoker Award. That’s worthy of a battle roar or two!
Demons: Encounters with the Devil and His Minions, Fallen Angels, and the Possessed, edited by John Skipp, features Mercedes’s short story “Daisies and Demons”; while my story, “A Deeper Kind of Cold,” appears in Epitaphs: The Journal of New England Horror Writers, edited by Tracy L. Carbone.
Though some would call me biased, I think both anthologies are worthy of the nod. As I’m sure the other three anthologies up for the award are. So may the best one survi—win! May the best one win.
In other news, John and I have had some very short pieces—by me, “Skipping Shingles”; by John, “Wishes” and “Always Never Enough”—published in Necon E-books’s just-released Best of 2011 flash fiction anthology.
This e-book features all winning and honorable-mention entries from their monthly flash fiction contests throughout 2011, plus a few additional stories from the cover artist, Jill Bauman.
As well, Sideshow Press has finally released the seventh installment in their Black Ink series of extreme fiction (i.e. not meant for children or the weak-stomached). This one features John’s disturbingly twisted “Peter Peter,” which he calls a “tender and sweet, family-friendly tale about the wages of sin.”
I also hear he’s selling bridges in New York.
If any of these books interest you, click on the cover images to purchase.
Now available for the Kindle, Shock Totem’s special holiday e-book. You can purchase a copy here for $0.99. To purchase copies from Amazon.co.uk, Amazon.de, or Amazon.fr, click the Digital link at the top of our site.
This issue features an eclectic mix of holiday-inspired dark fiction from K. Allen Wood, Mercedes M. Yardley, Kevin J. Anderson, Robert J. Duperre and more. Also anecdotal holiday recollections from Jack Ketchum, Jennifer Pelland, Mark Allen Gunnells, Nick Cato, and a host of others.
Celebrate the holidays with Shock Totem!
Here’s is the table of contents:
* Heartless, by Mercedes M. Yardley
* Vincent Pendergast’s Holiday Recollection
* Jennifer Pelland’s Holiday Recollection
* Streamer of Silver, Ribbon of Red, by K. Allen Wood
* Mark Allan Gunnells’ Holiday Recollection
* Nick Cato’s Holiday Recollection
* Santa Claus Is Coming to Get You, by Kevin J. Anderson
* Stacey Longo’s Holiday Recollection
* Tinsel, by John Boden
* Leslianne Wilder’s Holiday Recollection
* One Good Turn, by Robert J. Duperre
* Jack Ketchum’s Holiday Recollection
* Sheldon Higdon’s Crappy Holiday Recollection
* Christmas Wish, by Sarah Gomes
* Simon McCaffery’s Holiday Recollection
* ‘Twas the Night, by Nick Contor
* Daniel I. Russell’s Holiday Recollection
* Lee Thompson’s Holiday Recollection
* A Krampus Christmas, by Ryan Bridger
* Howling Through the Keyhole (Story Notes)
[ click photo to enlarge ]
The Zombie Feed, Vol. 1 is the first anthology published through the new Apex Publications imprint, The Zombie Feed Books. It features zombie-fried fiction from seventeen authors, of which I am one. Recently, contributing author Maggie Slater offered up her blog for a series of three-question interviews with several of the anthology’s authors, so I am returning the favor.
Below you can read Maggie’s interview as well as those interviews hosted on her blog.
And if you’re interested, check out The Zombie Feed, Vol. 1. You can pick up your copy from Amazon.com, Barnes & Noble.com, or from The Zombie Feed directly. Get it on your Kindle or your Nook (or in any e-format from Smashwords) for just $2.99! Seventeen kick-ass zombie stories for $2.99! Can you dig on that?
1. The Writing Question: If you could sit down with one author, from any time in history to today, to get a writing lesson, who would it be?
I had three answers for this initially—Samuel R. Delany, Edith Wharton, and Roald Dahl. If I had to narrow it down, though, I’d pick Samuel R. Delany for several reasons. First, I’d love to just talk fiction with him—I’m about 90% through Dhalgren, and reading it as a writer is a little Twilight Zone-esque. All of Kid’s thinking and working and pondering the process and experience of creating a work of writing feels so intimately familiar, even as his process is different. I’ve also read Mr. Delany’s book About Writing which is hands-down the best book about the writing process I’ve ever read. It’s not an instructional manual, but almost a treatise on the creative endeavor. His discussions about the inner editor were very influential on me, and his emphasis on care when drafting, of really visualizing the scenes, works much better for me than the mantra “just write the first draft as fast as you can” which seems to work very well for others. His essays feel very close to a one-on-one discussion, as do the letters in which he’s critiquing a work sent to him, but it’d be great to get a few pointers in person!
So that’s one part. The other part is that whenever I read a novel by Samuel R. Delany, it reminds me of what writing can be. Not just in terms of style and poeticism, but in the sheer vividness of imagination, both in content and in execution. Reading his work always reminds me that I can push my own boundaries and play in realms that aren’t common in the books you’ll find on the bookstore shelves, that not all stories have to be told the same way. I can lock myself into tunnel vision pretty easily when it comes to “how you’re supposed to write”, so reading a good Delany novel can kick me out of that and set me on better paths.
2. The Horror Question: What used to scare you the most as a child?
Funny story: zombies, actually. Back in fifth grade, I went to a Halloween party a friend of mine was having, and they showed Night of the Living Dead Returns, which completely freaked me out. (I mean, it didn’t take much back then: I was terrified of ET, also.) Needless to say, after watching about thirty minutes of NotLDR, I left the room and couldn’t watch any more. For a month I didn’t sleep unless my mom was in the room, I closed my eyes whenever we passed any kind of structure that looked like a medical warehouse, and it seemed like ages until I could hear the word “paramedics” without feeling queasy.
That experience actually set me back probably five years: I actively avoided horror movies (or even not-so-scary PG-13s, like Jurassic Park) until I was about fifteen. Then I saw The Sixth Sense, and fell in love with it. I’d always loved ghost stories, but the film format always made me nervous. After that, and after realizing that I could watch certain spooky movies without getting horribly vivid nightmares afterwards, I started pushing my limits of tolerance bit by bit, until in college I finally watched Shaun of the Dead, and thus my fear of zombies was…well, not quite over—they’re still creepy as hell—but at least resurrected as a fondness, rather than abject terror!
3. The Oddball Question: If you could be friends with one fictional character, who would it be and what kind of venue would you meet at?
Oh, hands down (and this is rather like using one of my three wishes to wish for more wishes): Nero Wolfe. We’d meet at the brownstone, of course, on West 35th Street in New York City, and have a delightful meal (perhaps game hens) prepared by his brilliant chef, Fritz. Of course, Archie Goodwin would have to be there too, and (don’t tell my husband) I’d definitely let him take me dancing once in a while, just to keep my footwork sharp, of course. I certainly wouldn’t protest if Saul and Orrie and Fred joined us, and if Jackie Jaquette or Lily Rowan wanted to stop by, I wouldn’t mind at all! Then, after dinner, Wolfe would show me his most recent breed of orchid, and we’d discuss potting material, plant genetics, and books, of course. It’d be the perfect evening!
Maggie Slater writes in Maine, where she lives with her husband and two old, cranky cats. She has seen her work published in a variety of venues, such as Dark Futures: Tales of SF Dystopia, The Zombie Feed Anthology Vol. 1, and most recently in Leading Edge Magazine. She currently moonlights as an assistant editor for Apex Publications. For more information about her and her current writing projects, visit her blog at maggiedot.wordpress.com.
And if you’re interested in the rest of the Three Questions interviews…
I love me a good zombie tale. Dawn of the Dead is my favorite movie of all time, Romero is a god to me, and my first book is about those meandering, rotting corpses. So when I was sent The Zombie Feed, the new compilation put out by Apex Publications and edited by Jason Sizemore, for review, I was more than pumped to dive right in.
Inside this volume are 17 tales of zombies in all of their various forms. At first I expected a grouping of run-of-the-mill apocalyptic, undead stories. I was pleasantly surprised when I discovered how different the collection is, with how many various directions the authors took what very often are clichéd tropes and plot devices.
In order to adequately break down this fantastic collection, let’s look at The Zombie Feed story by story.
Not Dead by BJ Burrow: A woman wakes up on her deathbed, questioning if she’s still alive. A touching story of the nature of faith and what really defines humanity.
Tomorrow’s Precious Lambs by Monica Valentinelli: An original, if somewhat clunky, take on the origins of the outbreak and the privileged nature of the wealthy. It could’ve been spectacular given the original premise the author came up with, but it falls flat. A little too “Ah, gotcha!” for my taste.
Cold Comfort by Nathaniel Tapley: What is this? A zombie tale without a true zombie? A fantastic story dealing with the undead that only exist in the narrator’s head, as a Russian mortician whose wife is cheating on him communes with his recently-departed patients. Ironically enough, in this particular tale it isn’t the dead who should be considered zombies.
The Final December Day by Lee Thompson: This one follows more along the lines of a traditional zombie tale. A lone cop, searching for his long-lost partner on his last day on Earth, runs across a young photographer. An interesting take on the apocalypse where the zombies are simply drug-addicted, insane humans, and aliens roam the earth. I enjoyed the message, but it fell a little short. This is one short story that begged to be longer.
Broken Bough by Daniel I. Russell: A particularly heartbreaking tale of the end of the world, told from the point of view of a young family of three struggling with the ultimate decision. Truly sad, it makes you wonder what you might do should the unthinkable happen. Would you be able to take the actions necessary? Haunting.
The Sickness Unto Death by Brandon Alspaugh: A somewhat convoluted tale of the recently departed rising up, remembering their pasts and able to act as human, though they’re no longer living. A bit confusing, and written in a way that I think might seem like the author is trying to “put one over” on the reader. I’m all for an original, inventive story, but this one seemed too clever for its own good.
A Shepherd in the Valley by Maggie Slater: Now this one was creepy. A man, all alone and living in an old airport, has figured out a way to “tame” the dead. A heartening examination of a parent’s love and the sacrifices one must make in the face of absolute terror.
Twenty-Three Second Anomaly by Ray Wallace: Eh, I could give or take this one. The story of human experimentation and how exact science can be. Interesting, but the punch isn’t punchy enough and the emotions seems forced. Not bad, but could be better.
The Last Generation by Joe Nazare: Another very interesting and not-quite-zombie story. All people have fallen over and entered a state of non-death, and only a few wake up, albeit minus their memories and sense of self. An inventive story, but lacking in some important information (such as how do they remember pop culture references and not their names or pasts) that could have made the story much more affecting. Decent nonetheless.
Bitten by Eugene Johnson: One of the few standard zombie tales in the whole collection. A very short story of a bunch of folks trying to protect a house at the end of the world. It is what you’d expect.
Lifeboat by Simon McCaffery: A very entertaining story of a group of people surviving the apocalypse by sailing the ocean on a cruise ship. Intriguing and imaginative, the narrative takes twists and turns I never expected, coming out at the end in an intense, hell-bent-for-leather climax. One of the best in the bunch.
Rabid Raccoons by Kristen Dearborn: Now this is what I call taking a genre and flipping it on its head. A teen girl does her friend wrong, only to be assailed (possibly mystically) by zombie raccoons. A stupendous job of telling a story from the viewpoint of a young adult, this tale captures the sense of seclusion and fear beautifully. Great story.
Zombies on the Moon by Andrew Clark Porter: Another short tale, and while the imagery of a moon cluttered with zombies has stuck with me since I’ve read it, this is another example of a story that could use some fleshing out to be perfect.
The Fare by Lucian Soulban: The absolute best story of the bunch. A lonely man in the aftermath of the world’s end hires a mysterious cabbie to help him obtain closure for his past sins. A tremendous study of the human condition, of how guilt can guide our actions after a traumatic event, no matter if we were in the right or not.
What’s Next? by Elaine Blose: This is the only story that I don’t think belongs in this collection. It wants to be campy, describing a world where aliens bring about the zombie apocalypse, only to have monster after monster appear in their wake, but it comes off as amateurish. The rest of the stories in this collection are so strong and insightful, it seems entirely out of place.
Goddamn Electric by K. Allen Wood: Another ingenious story, imagining a “different” sort of zombie, when the skies open up during an apocalyptic storm and fry everyone who wasn’t smart enough to find shelter. High on anxiety and even (surprisingly) emotion, this story follows an old man who’s lived a long life and isn’t quite ready to give it up.
Hipsters in Love by Danger_Slater: This is the oddest story of the bunch. I absolutely hated it until I was a couple pages in, when I went back to the beginning and re-read the title. This is a complete farce of a tale, a satire poking fun at a certain segment of our modern culture, complete with kids and their ironic t-shirts worrying about obtaining some Pabst Blue Ribbon in the face of the undead. A highly funny romp, it’s the perfect choice to end this anthology.
So that’s it! In all, I’ll say this is well worth the read, and the best zombie anthology to come out in years. Congrats to Apex and to Jason Sizemore. You’ve collected something highly entertaining and even touching. I highly recommend this to anyone who loves this genre of story.
You can read read the interview here. Rock!