Shock Totem #10 (Jan 2016)
- Closing for Submissions
- Shock Totem Returns!
- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
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Tag Archives: Karen Runge
We have always been right upfront that Shock Totem would not exist were it not for the staff’s mutual love of music. Ken and I originally met on a music forum and music threads its way through most of what we do. So when I was asked to review a collection of horror stories inspired by music, I was all in. I’ve read similar anthologies before—Shock Rock, Shock Rock II, Dark Notes from NJ—but most of those were inspired by one specific genre of music. Savage Beasts proves a little more interesting in that it is inspired by many genres of music, that multi-faced beast, classical, prog rock, metal…all are given a chance to leave their bloody thumbprint on a reader’s forehead.
The collection opens with “To Soothe the Savage Beast,” by Edward Morris, a story of history and a haunting, one steeped in jazz and violence. Karen Runge gives a strange tale of love and animals (literal and symbolic). Shawn Macomber offers up an itchy story called “Pestilence by Beemahr,” where he shows that the quickest way to horror country is with icky, ooky, creepy, crawly, squirmy bugs. Although, this is lot smarter than your average insect horror tale, this one is steeped in consequence.
“Killing Noise,” by Konstantine Paradias, is an exploration of music as a weapon and it certainly is not the kind of music you’re expecting it to be. “When Death Walks the Field of Battle,” by J.C. Michael, is exactly what the title promises. Paul Michael Anderson’s “Crawling Back to You” is a dark song about bad relationships, addiction, and the darkness that swaddles them both. The anthology closes out with “The Musik des Teufels,” by T. Fox Dunham. I can’t even fully describe what he’s done here…almost mad scientist journal filtered through opera/musical linen and drunk with fever by flawed and fractured souls. Beautiful and strange.
I liked the overall tone of the collection and the concept, a few of the tales while good did not resonate as long as others. Stoker Award-nominated editors, Anthony Rivera and Sharon Lawson, did an excellent job here, compiling a variety of tales inspired by a variety of musical styles. The inclusion of story notes always wins points with me.
Savage Beasts is available from Grey Matter Press.
We are very proud to announce the release of our ninth issue!
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In this ninth issue of Shock Totem you will find not only a brand new, previously unpublished tale by Stephen Graham Jones, but also an interview with this modern master of words. Kathryn Ohnaka presents “Buddy,” a twisting, slithering serpent of a tale. The words are pure poetry, with fangs. “Saturday,” by Evan Dicken, follows, creeping and crawling and filled with Things that whisper of doom.
Similar whisperings can be heard in Bracken MacLeod’s “Thirteen Views of the Suicide Woods” and most of you will know the voices. Tim Lieder’s darkly rhythmic “Hey Man” will get you toe-tapping and “in the mood.” With a touch of science fiction, Emma Osborne’s “The Box Wife” is sure to leave you uncomfortable. The box wife is one and many, but you’ll recognize all.
Stephen King once called Jack Ketchum “the scariest guy in America.” What scares the scariest guy in America? Karen Runge. And you’ll know why after reading “Good Help.” Peter Gutiérrez provides the poetry with his outstanding “Anteroom.” Closing out the fiction in this issue is S.R. Mastrantone’s “Alan Roscoe’s Change of Heart,” a tale that chips away at a well-mined vein–the near-death experience–but manages to produce an untouched gem.
In addition to the previously-mentioned conversation with Stephen Graham Jones, F. Paul Wilson is also interviewed. The seventh installment of our music-meets-horror serial, “Bloodstains & Blue Suede Shoes,” tackles the 80s and Catherine Grant provides the editorial, a scary piece that hits close to home for creators and readers of horror.
All that and more!
Here is the official Table of Contents:
* Unacceptable Content, by Catherine Grant (Editorial)
* Buddy, by Kathryn Ohnaka
* Saturday, by Evan Dicken
* Morning Books and Evening Books: A Conversation with F. Paul Wilson, by Barry Lee Dejasu
* Thirteen Views of the Suicide Woods, by Bracken MacLeod
* Anteroom, by Peter Gutiérrez (Poetry)
* Strange Goods and Other Oddities (Reviews)
* Hey Man, by Tim Lieder
* The Nightmare Rolls On: A Conversation with Stephen Graham Jones, by Zachary C. Parker
* You Are Here, by Stephen Graham Jones
* The Box Wife, by Emma Osborne
* Bloodstains & Blue Suede Shoes, Part 7, by John Boden and Bracken MacLeod (Article)
* Good Help, by Karen Runge
* Alan Roscoe’s Change of Heart, by S.R. Mastrantone
* Howling Through the Keyhole (Author Notes)
As always, thank you for your continued support!
Please note that if you buy the print edition through Amazon.com, you will also receive the Kindle edition for free.