- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 1
- Splatterpunk #7
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Tag Archives: Kevin Lucia
Late last year, Kevin Lucia delivered a wonderful collection called Things Slip Through, a great gathering of tales presented in a wholly unique way. The voice of Lucia’s writing is old school—think early King or later Bradbury. So obviously, I was quite anxious to read this novella, Devourer of Souls, which is actually a pair of longer stories which are stitched together by a similar framing device as those in Things Slip Through.
You know the old saying: “If it ain’t broke…”
Devourer of Souls starts with two men meeting in a diner. They are members of a sort of coalition in the Clifton Heights area, a group of men who meet once in a while to keep one another apprised of the weird shit that seems to be bubbling under the Rockwellian surface of their town.
The first half is a great tale called “Sophan.” A group of boys and an outcast dying to be drawn into a strange and ancient game of chance called Sophan, a tile game offered to one of the boys at a rummage sale. During the last breaths of summer, one boy is consumed by hatred and bigotry while his friend is called to fix things. A father is haunted by the ghosts of war and another by his good fortune to have returned and moved on. Lucia does a great job of bringing these characters to life. The emotions are realistically rendered and easily relatable, he keeps them simple but something that we can all recognize, honestly written and stronger for it.
“The Man in Yellow” is the second feature, and it is just a good as the opening act. Set in another flyspeck town that neighbors Clifton Heights, this story involves a young man on the cusp of adulthood, angry at the world and the God he isn’t sure is out there. He and his friend discover that faith can be a monster when a new minister arrives in town. A charismatic stranger in a bright yellow suit and an ancient agenda. This one has a decidedly darker tone than “Sophan,” and given the brooding cloud of faith and/or lack thereof that hangs over it, it isn’t surprising. .
Lucia’s strong characters and smartly simple and realistic dialogue are one of the many things that propel his writing along the rails. His pacing is good and he knows how to tell a good story without a lot of fat. Too many times writer’s bog down their stories with unnecessary jewelry and gloss when a simple story—simply told—is what is needed. Lucia gives us a refreshing old-school style—not that he can’t throw down the words, but he understands that the story needs to be the star.
Devourer of Souls is available through Ragnarok Publications.
Our latest holiday issue is now available!
Cover art by Mikio Murakami.
Treats abound, in this special edition of Shock Totem are seven short stories, one poem, and five nonfiction pieces. Of the fiction, John Boden and Bracken MacLeod venture into dark and weird neighborhoods in “Halloween On…” In “Out of Field Theory,” Kevin Lucia gives us a shadowed glimpse of what lurks beyond the frame. David G. Blake’s “Night in the Forest of Loneliness” smells of autumn and the beautiful death she brings.
Learn why sometimes it’s better to stay home on Halloween in “Tricks and Treats,” by Rose Blackthorn. Kriscinda Lee Everitt’s “Howdy Doody Time” is a poignant nod to the past. The shadows come alive in “Before This Night Is Done,” by Barry Lee Dejasu, and in my story, “The Candle Eaters,” I explore faith and hope and a darkness that haunts us all.
In addition to the fiction, Sydney Leigh provides a very fine poem, “Allhallowtide (To the Faithless Departed).”
Authors John Langan, Lee Thomas, and Jeremy Wagner, as well as filmmaker Mike Lombardo and the always wonderful and brusque Babs Boden, provide anecdotal Halloween recollections.
No tricks, all treats.
Table of Contents:
* Halloween On, by John Boden and Bracken MacLeod
* Night in the Forest of Loneliness, by David G. Blake
* Kore, by John Langan (Holiday Recollection)
* Out of Field Theory, by Kevin Lucia
* Tricks and Treats, by Rose Blackthorn
* Witches and the March of Dimes, and Mike Warnke, by Babs Boden (Holiday Recollection)
* Howdy Doody Time, by Kriscinda Lee Everitt
* When I Scared Myself Out of Halloween, by Jeremy Wagner (Holiday Recollection)
* Before This Night Is Done, by Barry Lee Dejasu
* The Mansion, by Lee Thomas (Holiday Recollection)
* Allhallowtide (To the Faithless Departed), by Sydney Leigh (Poetry)
* Flay Bells Ring, or How the Horror Filmmaker Stole Christmas, by Mike Lombardo (Holiday Recollection)
* The Candle Eaters, by K. Allen Wood
* Howling Through the Keyhole (Author Notes)
Learn more about our holiday issues here. And as always, thank you for the support!
Please note that if you buy the print edition through Amazon.com, you will also receive the Kindle edition for free.
Being aware of the competition is one of the first things they teach in business classes. One of the magazines that Shock Totem is sometimes mentioned with is Lamplight. Edited by Jacob Haddon, Lamplight delivers short fiction and classic public domain tales that are usually—and wrongfully—long forgotten. These are corralled with great interviews and a series of non-fiction pieces written by J.F. Gonzalez that chronicle varying stages and movements in horror literary history. Very inspirational and educational work there.
This compendium gathers all printed work from Lamplight’s first year, four issues, and most of it is quite good. From Kevin Lucia’s staggering tale of guilt, regret and the special ghosts they make to Elizabeth Massie’s story “Flip Flap,” which is quite a wonderful tale of sideshow revenge. Robert Ford gives revenge a new face and it’s muddied with garden soil. Kelli Owen’s “Spell,” which I raved about when I reviewed her collection last year, is still one of my favorite short stories of all time. Brilliant and harrowing.
Nathan Yocum hands in one of the saddest and sweetest apocalyptic tales I’ve ever read in “Elgar’s Zoo.” In and around these tales are numerous others. William Meikle’s retro-styled “The Kelp” buoys alongside Tim Leider’s angry rantosaurus of a tale, “A Gun to Your Head.” The stories are all fairly solid. In fact, were I to harbor any sort of negative criticism at all, it would be the directed at the interviews, rather the lack of creativity in them. The same questions are asked of each author. Very little interplay, which makes them come off sort of contrived. As an interviewer myself, I know they can be a bitch to nail. I hope that in time this fellow learns to inject a little personality in the mix.
Overall, Lamplight is a great publication with a fine eye for dark fiction. A comrade more than competition. In this business, we need more of the former and less of the latter. We’re all on the same ship, in the same choppy waters, and I would gladly share a lifeboat with Lamplight. Give them a shot.
I’m a huge fan of anthologies and collections. They’re great for those short attention span periods when you want to read but can’t commit to anything lengthy. They’re awesome for lunch breaks and in the bathroom. (Don’t give me that grimace, you know you read in there!) The problem with them is they are most times an uneven offering of material. Several great stories sprinkled in amongst a majority of meh or even terrible tales. Once in a while you get one that knocks the cover off the ball…but that’s rarer than a four-leafed clover.
Cutting Block Press has been putting out the Horror Library series for a few years now, but this is the first I’ve gotten the chance to dig into. Thirty stories rear their ugly heads here, the majority by authors I have not read before, but a few by those I have. Let’s get into the particulars, shall we?
We open with Pat MacEwen’s “Blown,” a gritty almost noir-ish tale of death and forensics. We go then into Ian Withrow’s wonderfully bizarre story of a lonely boy and his calling, entitled “Jerrod Steihl Goes Home.” John F.D. Taff’s “The Immolation Scene” is a grisly expose on arson and treachery. “A Body At Rest,” by Lorne Dixon, one of my favorites, is a darkly sad tale of loss and grief, drenched in terror and the surreal. This is followed by J.S. Reinhardt’s “By the Time I Get To Five,” in which we meet a man trapped in his own hell.
Next up is a fantastically eerie sliver by one of my favorite authors, Bentley Little, entitled “Notes for An Article on Bainbridge Farm.” Just chilling. Sanford Allen’s “Noise” is about a concert that is not intended for everyone’s ears. Shane McKenzie’s “Open Mind Night at the Ritz” is a weird story about flesh bending and performance. I was blessed to witness him read this at KillerCon a few years ago. Shane can always be counted upon to bring the “What the fuck?” With “Almost Home,” Kevin Lucia hands us a bleak and symbolic story of loss. Michael A. Arnzen’s “Pillars Of Light” explores faith and the powerful grip it can have.
“Footprints Fading In the Desert,” by Eric J. Guingard, is a story with an almost urban legend vibe. “The Vulture’s Art,” by Benjamin Kane Ethridge, is heavy in its symbolism and grisly with its message. “Activate,” by Boyd E. Harris, left me slightly confused but seemed to carry a sinister tone. Adam Howe’s “Snow Globe” is an old fashioned tale of the repercussions of dark deeds. “Intruders,” by Taylor Grant, delivers a somber premise as to what imaginary voices are really about. And Steve McQuiggan gives us an off-kilter, slightly bizarro haunted house story with “The Boathouse.”
While not the most even anthology out there, Horror Library Vol. 5 has its fair share of solid fiction. It is a good companion for waiting rooms, bathroom breaks, and the lunch table, and is available through Cutting Block Press.
I was familiar with Kevin Lucia before reading his work. We’ve crossed paths many times on the convention circuit. Tall, nice, friendly and warm and gracious…
I’d better stop before the cartoon hearts start floating above my head.
His debut collection, Things Slip Through, is a unique creature, from the Bradburyesque (think Dandelion Wine) structure and setup to the very creepy images and scenes that mark it like lesions or scars.
The stage for this gathering of tales is as nifty as the tales themselves: Clifton Heights, New York. Just like any other small northeastern town, save for the ghosts and demons and creepy crawlies that seem to lurk there. Or do they?
After a particularly gruesome and brutal case, a local lawman meets with other pillars of the community to discuss the bizarre history of the town and what really lives there. We meet a writer who predicts dark things, and it is through his journals that we get our stories.
We meet the town drunk, riddled with guilt over his brothers death and the odd loop that guilt creates. We find a child taken by an imaginary friend and a man who meets a gruesome end along a road that goes on and on and on.
A lonely girl and her demonoid pal wreak havoc while a man discovers he has more power over his model train set than one should be comfortable with. There are eerie phantoms and dark memories staining the walls. People are as haunted as the locales in these fables. They crisscross one another like autopsy stitches.
Lucia knows what he’s doing. He has studied the masters and taken adequate notes and has written a classically structured, darkly fantastical book. A love letter to both 50s dark fantasy and 80s pulp horror, written in red and bound in heart. Things Slip Through is a solid and entertaining journey through a very strange town.
Available from the fine folks at Crystal Lake Publishing.