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- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 1
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Tag Archives: Kristy Peterson Schoonover
Typically I shy away from short fiction collections unless I see the name King or Gaiman or some other major league writer on the cover in large letters. So to say that I approached Wicked Seasons: The Journal of the New England Horror Writers, Volume II, with trepidation is an understatement. However, what a treat it turned out to be, especially for this horror-loving writer and reader.
I was immediately engrossed (and a bit grossed out) by the stories presented in this annual collection. There’s not a lot here that one might label traditional horror, though the stories are definitely spooky, humorous, eerie and twisted. More akin to old episodes of Outer Limits, Alfred Hitchcock Presents or Tales from the Darkside. The thread of suspense and bizarre is definitely on display. However, every wicked story is right at home in this collection, and fit nicely into the breeding ground of dark fiction that is New England.
Wicked Seasons is edited by Stacey Longo and contains stories from Rob Smales, Scott Goudsward, Kristy Peterson Schoonover, Catherine Grant, Christopher Golden, and James A. Moore, to name a few. The collection does not stumble in presenting the strange, macabre, or downright grisly. You’ll not find the monsters and aliens of stories that might have appeared in the fifties or sixties in this anthology, but monsters of the more or less human kind.
Catherine Grant’s “Three Fat Guys Soap” is just such a story, in which a strange and horrific method of making soap becomes a stunning act of revenge, and is immensely satisfying for anyone who has ever been bullied by their boss.
“Blood Prophet,” by Scott T. Goudsward, is another example of the horror of humanity in which child abuse and religious dementia play a center stage role, and makes the ending all the more satisfying.
Christopher Golden brings us “The Secret Backs of Things,” which brings to mind Bradbury’s Something Wicked This Way Comes. It’s a puzzle in which events are merely hinted at, leaving the reader to figure the rest out.
“The Basement Legs,” by Robert J. Duperre, tells about a man who comes to the defense of a young, pregnant Filipino woman who lives in his apartment building. Duperre earns kudos here for bringing a whole new meaning to your local UPS service.
Kristi Petersen Schoonover writes “To Chance Tomorrow,” a cautionary story about science’s role in our lives, and the dubious changes it provides for our future, but at what cost?
If it’s hauntings that scare you, Addison Clift’s “Furious Demon” is a deliciously creepy tale of a woman’s dead father coming back to haunt her and who very well may have molested her when she was a child.
Rob Smales’s “A Night at the Show” and Errick A. Nunnally’s “Lycanthrobastards” are dark werewolf tales that provide surprising departures from standard fare, with fantastic results.
The Wicked Seasons table of contents also includes Trisha J. Wooldridge, Lucien E.G. Spelman, Michael J. Evans, Paul McMahon, and Gregory L. Norris—all very entertaining and chilling reads. For someone who doesn’t often read anthologies, Wicked Seasons exceeded all expectations and converted this reader to seeking out other, similar collections. Also, don’t miss the introduction from Jeff Strand. It’s as entertaining as the central stories.