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Tag Archives: Lee Thompson
John Skipp has reviewed Shock Totem #6 on Fangoria’s website.
“[Jack] Ketchum and I are in firm agreement that Shock Totem is living proof that we’re in a golden age when it comes to the short horror story. Some of the best stories ever written are being written right now.”
Shock Totem Publications is very happy to announce that our sixth issue is available for purchase!
Don’t listen to this guy. Tell everyone!
Shock Totem returns with its sixth issue, featuring stories that range from troubling tales of loss to chilling examinations of mankind’s dark side. In “Lighten Up,” four-time Stoker Award™-winner and Grandmaster of Horror Jack Ketchum gives us a dose of dark humor that still manages to be righteously menacing. “The River,” by rising star Lee Thompson, is a brutal tale of purgatory, wasted life, and regrets.
Soulmates connect through murder, love and revenge in P.K. Gardner’s “For Jack.” In “Orion,” a young girl who has only known darkness makes the ultimate sacrifice—in blood. “No One But Us Monsters,” by Hubert Dade, follows a man who is haunted and tormented by his own crippling fears. Mail hoarding, sin eaters, political horror, Shock Totem #6 runs the gamut.
Also included: Conversations with Lee Thompson and seven-time British Fantasy Award nominee Gary McMahon, as well as narrative nonfiction—a tale of true horror—by Ryan Bridger. An editorial about inspiration; the latest installment of “Bloodstains & Blue Suede Shoes,” which examines the connections between music and horror; plus reviews and much more…
Come see why Shock Totem is billed as “…one of the strongest horror fiction magazines on the market today” (Hellnotes).
Interested in our back catalog? All past issues are still available digitally and in print and can be ordered directly from us or through Amazon and other online retailers
As always, thank you for the support!
Right on the heels of our fashionably-late fifth issue, we are proud to announce that our sixth issue is primed and almost ready to go. I am doing the layout this time, so I’m making sure everything is perfect. It’s close, though.
For those who have yet to see it, here is the cover artwork:
Once again the cover art was created by the brilliant Mikio Murakami, who has done all our magazine artwork since issue #3.
Here is the official Table of Contents:
* The Spectacular Inspiration Suit, by John Boden (Editorial)
* For Jack, by P.K. Gardner
* Orion, by Michael Wehunt
* The Hard Way: A Conversation with Gary McMahon, by John Boden
* Ballad of the Man with the Shark Tooth Bracelet, by Lucia Starkey
* She Disappeared, by Ryan Bridger (Narrative Nonfiction)
* Strange Goods and Other Oddities (Reviews)
* No One But Us Monsters, by Hubert Dade
* The Cocktail Party, by Addison Clift
* Bloodstains & Blue Suede Shoes, Part 4, by John Boden and Simon Marshall-Jones (Article)
* Lighten Up, by Jack Ketchum
* Magnolia’s Prayer, by John Guzman (2012 Shock Totem Flash Fiction Contest Winner)
* When We Crash Against Reality: A Conversation with Lee Thompson, by K. Allen Wood
* The River, by Lee Thompson
* Howling Through the Keyhole (Author Notes)
Yet again we feel this issue sits well apart from previous issues, though without straying too far from what readers have come to expect from us. We dig it, and we’re confident you will as well.
Look for it soon in digital format. Print will follow shortly after, and if interested you can preorder it here.
As always, thank you for your continued support!
Ellen Datlow just released her full honorable mention list for Best Horror of the Year Volume 4, and while there are a daunting 608 stories on that list, we’re very happy to say that seven of them are from Shock Totem authors.
Though none listed will actually appear on the list of 50 featured in the anthology itself, the recognition for our authors is hardly diminished.
You can read their stories in Shock Totem #3 and #4.
And before I end this, I would be remiss if I didn’t send a very big thank-you to Ellen for her time and consideration. Our appreciation is beyond words.
This weekend is the yearly Rock and Shock event out in Worcester, MA. For the past two years I’ve helped out at the New England Horror Writers booth, but this year I thought it was time to push Shock Totem a bit more, so I’ll be sharing a booth with Tom and Billie from Sideshow Press. (Look for our swank new banners.) I’ll still be helping out at the NEHW booth, but most of my time will be spent at the Shock Totem/Sideshow booth.
So stop by and say hello. Tom and Billie will be selling their fantastic wares, including the new Kurt Newton release, The Brainpan Concerto. And Kurt will be there as well. I’ll be selling all four issues of Shock Totem, as well as copies of The Zombie Feed, Vol. 1 and 52 Stitches, Vol. 2, both of which feature one of my stories.
It should be a great time. Aside from the many movie celebs that will in attendance, Lee Thompson and those cool cats over at The Bag & the Crow will be there. Looking forward to meeting them. Plenty more authors will be appearing at the NEHW booth during the weekend, too.
I may even be on a panel—my first ever (I’d better wash my foot in preparation for my mouth)—so that should be fun.
And the Devin Townsend Project will be playing Friday night! Devin is brilliant.
I first met Darrell Schweitzer a few years ago at Necon 29, where he was selling books in the dealer room. I bought a few things from him, including his book Living with the Dead, a collection of interconnected short stories set in the bizarre world of Old Corpsenberg. It’s a short little thing, presented as sort of a novella, but its impact on me was immense.
I have numerous old fantasy anthologies and magazines with Schweitzer tales in them, but I became a fan after reading Living with the Dead.
And so this past July, at Necon 31, I picked up two more collections, Transients and Other Disquieting Stories, Refugees from an Imaginary Country, and the novels The Shattered Goddess and The White Isle.
Transients and Other Disquieting Stories, to put it simply, is a fantastic little collection of darkly weird fiction. Not surprising coming from the longtime Weird Tales editor. My favorite story in the book is “Clocks,” a bittersweet ghost story about love and the difficulty of letting go. Other great tales include “Peeling It Off,” “Pennies from Hell,” “Transients,” and “The Spirit of the Black Stairs.” The rest are quite good as well.
Actually, I could have lived without “The Man Who Wasn’t Nice to Pumpkin Head Dolls.” It had a overly cheesy Twilight Zone feel to it—which, now that I think about it, was likely intentional as it first appeared in Rod Serling’s The Twilight Zone Magazine. Not a bad tale, though, just dated and kind of goofy.
In fact most stories in this set were published in the 80s, so a few others read a bit dated, too; but despite this they’re all done really well. Schweitzer’s use of language is smooth, succinct, and at times downright poetic. I’m amazed this guy isn’t more popular.
He should be.
And in parting, I should mention that the stippled illustrations by Stephen E. Fabian are, as always, fabulous.
This was my first experience reading William Ollie (unless you count the novel excerpt from KillerCon we published in our debut issue), and it was pleasurable one.
Into Hell is part of the Delirium Books novella series. The story follows two post-9/11 scenarios: a group of war veterans struggling to survive during and after a bank heist gone awry (present day) and the same group struggling to survive on the front lines in the Middle East (past).
It’s a fast-paced and fun read, with a slight supernatural element. Very well-written, though done so in a rhythmic staccato fashion with lots of short, two- or three-part sentences that tend to detail the same thing. That might bother people who want a slower, less in-your-face approach to character development, but with it being a novella, and one on the shorter side of things, I felt the quicker pace worked to its advantage.
My one complaint would be that I found it a bit confusing at times. Both story arcs mirror each other, and when a new chapter started, I found myself wondering if this was war or post-war until something distinct appeared on the page. (Though with the luxury of having finished it, I can tell you that the chapters simply alternate back and forth between present and past right till the end.) Either way, both scenarios are depictions of war, one being from without and the other being from within.
Complaint aside, Into Hell is a solid read. It’s too bad that, for now, only 150 copies are available.
I’ve been lucky enough to witness Lee Thompson grow as a writer. I’ve read a lot of his short fiction, from the not so good to the excellent, so it’s a no-brainer that I’m sticking with this cat. He’s got the chops and delivers them yet again with Iron Butterflies Rust.
This is a tale written close to home, I think, one of love, hate, failure and redemption, and the richness—the realness—of it all shines through even the darkest moments of the story. And it’s plenty dark.
There were a couple parts in the beginning that lined up too conveniently for me, and Frank Gunn can be a bastard of a character to sympathize with at times, but overall Iron Butterflies Rust is a fantastic and heartbreaking little tale.
As with Ollie’s Into Hell, this is part of the Delirium Books novella series, thus equally as limited in quantity. A shame. Hopefully this and future Frank Gunn tales (there are more coming) will be released together in a more widely available format at some point.
For now, though, pay attention to Lee Thompson. He’s the real deal.
I love me a good zombie tale. Dawn of the Dead is my favorite movie of all time, Romero is a god to me, and my first book is about those meandering, rotting corpses. So when I was sent The Zombie Feed, the new compilation put out by Apex Publications and edited by Jason Sizemore, for review, I was more than pumped to dive right in.
Inside this volume are 17 tales of zombies in all of their various forms. At first I expected a grouping of run-of-the-mill apocalyptic, undead stories. I was pleasantly surprised when I discovered how different the collection is, with how many various directions the authors took what very often are clichéd tropes and plot devices.
In order to adequately break down this fantastic collection, let’s look at The Zombie Feed story by story.
Not Dead by BJ Burrow: A woman wakes up on her deathbed, questioning if she’s still alive. A touching story of the nature of faith and what really defines humanity.
Tomorrow’s Precious Lambs by Monica Valentinelli: An original, if somewhat clunky, take on the origins of the outbreak and the privileged nature of the wealthy. It could’ve been spectacular given the original premise the author came up with, but it falls flat. A little too “Ah, gotcha!” for my taste.
Cold Comfort by Nathaniel Tapley: What is this? A zombie tale without a true zombie? A fantastic story dealing with the undead that only exist in the narrator’s head, as a Russian mortician whose wife is cheating on him communes with his recently-departed patients. Ironically enough, in this particular tale it isn’t the dead who should be considered zombies.
The Final December Day by Lee Thompson: This one follows more along the lines of a traditional zombie tale. A lone cop, searching for his long-lost partner on his last day on Earth, runs across a young photographer. An interesting take on the apocalypse where the zombies are simply drug-addicted, insane humans, and aliens roam the earth. I enjoyed the message, but it fell a little short. This is one short story that begged to be longer.
Broken Bough by Daniel I. Russell: A particularly heartbreaking tale of the end of the world, told from the point of view of a young family of three struggling with the ultimate decision. Truly sad, it makes you wonder what you might do should the unthinkable happen. Would you be able to take the actions necessary? Haunting.
The Sickness Unto Death by Brandon Alspaugh: A somewhat convoluted tale of the recently departed rising up, remembering their pasts and able to act as human, though they’re no longer living. A bit confusing, and written in a way that I think might seem like the author is trying to “put one over” on the reader. I’m all for an original, inventive story, but this one seemed too clever for its own good.
A Shepherd in the Valley by Maggie Slater: Now this one was creepy. A man, all alone and living in an old airport, has figured out a way to “tame” the dead. A heartening examination of a parent’s love and the sacrifices one must make in the face of absolute terror.
Twenty-Three Second Anomaly by Ray Wallace: Eh, I could give or take this one. The story of human experimentation and how exact science can be. Interesting, but the punch isn’t punchy enough and the emotions seems forced. Not bad, but could be better.
The Last Generation by Joe Nazare: Another very interesting and not-quite-zombie story. All people have fallen over and entered a state of non-death, and only a few wake up, albeit minus their memories and sense of self. An inventive story, but lacking in some important information (such as how do they remember pop culture references and not their names or pasts) that could have made the story much more affecting. Decent nonetheless.
Bitten by Eugene Johnson: One of the few standard zombie tales in the whole collection. A very short story of a bunch of folks trying to protect a house at the end of the world. It is what you’d expect.
Lifeboat by Simon McCaffery: A very entertaining story of a group of people surviving the apocalypse by sailing the ocean on a cruise ship. Intriguing and imaginative, the narrative takes twists and turns I never expected, coming out at the end in an intense, hell-bent-for-leather climax. One of the best in the bunch.
Rabid Raccoons by Kristen Dearborn: Now this is what I call taking a genre and flipping it on its head. A teen girl does her friend wrong, only to be assailed (possibly mystically) by zombie raccoons. A stupendous job of telling a story from the viewpoint of a young adult, this tale captures the sense of seclusion and fear beautifully. Great story.
Zombies on the Moon by Andrew Clark Porter: Another short tale, and while the imagery of a moon cluttered with zombies has stuck with me since I’ve read it, this is another example of a story that could use some fleshing out to be perfect.
The Fare by Lucian Soulban: The absolute best story of the bunch. A lonely man in the aftermath of the world’s end hires a mysterious cabbie to help him obtain closure for his past sins. A tremendous study of the human condition, of how guilt can guide our actions after a traumatic event, no matter if we were in the right or not.
What’s Next? by Elaine Blose: This is the only story that I don’t think belongs in this collection. It wants to be campy, describing a world where aliens bring about the zombie apocalypse, only to have monster after monster appear in their wake, but it comes off as amateurish. The rest of the stories in this collection are so strong and insightful, it seems entirely out of place.
Goddamn Electric by K. Allen Wood: Another ingenious story, imagining a “different” sort of zombie, when the skies open up during an apocalyptic storm and fry everyone who wasn’t smart enough to find shelter. High on anxiety and even (surprisingly) emotion, this story follows an old man who’s lived a long life and isn’t quite ready to give it up.
Hipsters in Love by Danger_Slater: This is the oddest story of the bunch. I absolutely hated it until I was a couple pages in, when I went back to the beginning and re-read the title. This is a complete farce of a tale, a satire poking fun at a certain segment of our modern culture, complete with kids and their ironic t-shirts worrying about obtaining some Pabst Blue Ribbon in the face of the undead. A highly funny romp, it’s the perfect choice to end this anthology.
So that’s it! In all, I’ll say this is well worth the read, and the best zombie anthology to come out in years. Congrats to Apex and to Jason Sizemore. You’ve collected something highly entertaining and even touching. I highly recommend this to anyone who loves this genre of story.
Batten down the hatches, buckle your wigs, Lee Thompson is in the house!
If you’re unfamiliar with Lee or his work, I predict that will change in the near future. Steadily making his way up the small-press ladder, 2011 is shaping up to be Lee’s breakout year. Let’s do a quick rundown of the year thus far…
His debut novel, Nursery Rhymes 4 Dead Children, and the novella Iron Butterflies Rust were released through Delirium Books; a second novella, As I Embrace My Jagged Edges, will be available through Sideshow Press in the weeks ahead; his short fiction was published in The Zombie Feed, Vol. 1 (“This Final December Day”), Dark Discoveries #18 (“Crawl”), Shock Totem #4 (“Beneath the Weeping Willow”), and is forthcoming in the anthology Hacked-up Holiday Massacre (“We Run Races with Goblin Troopers”). Breakout year or not, Lee Thompson is making a hell of a noise.
Enigmatic, charismatic, and a genuinely good dude, Lee is hopefully destined for big things. Call me a fan.
As part of his 2011 Blog Crawl, he’s stopped by Shock Totem HQ to discuss his journey from dreamer to professional writer. Dig!
LOVE OF THE END PRODUCT
by Lee Thompson
I’ve hungered to make a career of writing. To get past my inadequacies and lay it all out there, the good and bad.
I was a horrible student. I think I’d have been deep into a writing career if I had cared about all of this when I was younger. But I didn’t even care about myself then. And I’m glad I didn’t find this passion until so late, because I got to live, I absorbed so much, and there are multitudes of emotions, hard-won lessons, regrets and shame, pride and rebellion that I went through and now get to draw from.
I remember being so poor (my own fault) those first five years before I’d published a single thing that I always had to use other people’s computers to write on. I was an inconvenience and they didn’t have to let me do that, but they did. I submitted a lot of stories on library computers and got a lot of rejections because I really wasn’t very good. But I was hungry to improve.
Then something happened last year where I turned a corner. It was like everything finally fell into place. I think it was that I learned so much from my buddies Shaun Ryan and Kevin Wallis, and I started studying novels I loved, hand copying them—in notebooks, on old printer paper, in legal pads—to learn more even though it was time-consuming, and I realize now that I stopped writing the first ideas that popped in my head. I started writing for me.
When I began this blog tour my first Division novel wasn’t even released yet and here we are with Nursery Rhymes 4 Dead Children out, as well as my second book Iron Butterflies Rust.
I think I’m very fortunate. I sold my first two books to Delirium Books, a publisher I love, one who has discovered rising stars and cares about the stories and a writer’s career. A publisher who has put out a lot of great material that first took shape in the minds of my heroes (Tom Piccirilli, Greg Gifune, Douglas Clegg, etc.) Not a bad way to lose my virginity. My publisher believes in me. He’s honest about what works for him and what doesn’t, but still asks questions that matter, and wants my input.
How awesome is that?
Very fucking awesome.
So, how does it feel to see your dreams coming true?
It’s wonderful. And it’s a little scary. And it’s very surreal. It’s still sinking in that I’m a professional now. I pour my heart and soul into my work. I use a lot of stuff from real life, from when I was stupid, when I was a kid, moments when I possessed that elusive quality called commonsense, when I was a drunk, dreams I’ve had, and memories and questions that torment me.
And I have friends like Shaun, Kevin, Jassen, Susan, Cate, Mark, Sam, Bec, Peter, Mike, Mercedes, Wanda, John, Nick, Doug, Ken, Neal, Glen, Jennifer, Kate, and so many others who support me, not because I have to beg them or bullshit like that, but because they care.
Any success I have is the result of all those people, and editors like Shane Staley, James Beach, Steve Clark, Adam Bradley, Tom Moran, Ken Wood and lots of others who encouraged me, and earned my respect because of their kindness, honesty, heart and passion.
I could fill pages with people who have helped me along the way these past few years. But that’s kinda frightening too. More and more people I feel I owe something: for putting down their hard-earned money, for spreading the word, for giving feedback, and most of all for their faith and their time. I’m more grateful than you might ever realize. So a huge thanks to all of you.
I never realized how much it would thrill me to get comments from people I don’t know telling me they loved this book or that short story. What an eye opener. It means a lot. It means, in some small way, I’ve connected with another soul (sometimes without ever sharing a conversation). I adore that beyond words.
Thanks to all those who have read and commented and spent time with me.
And a huge thanks to those kind souls who let me blog on their pages.
So much has happened in a short time, but hell, I’m just getting started.
For anyone who missed earlier guest blogs on this tour see them here.
Rock on, you bad mofos.
Looking to score a free copy of the latest issue of Shock Totem? Well, if you head on over to Lee Thompson’s new website you can toss your name into the e-hat and possibly win one of three copies he’s giving away.
Lee’s story “Beneath the Weeping Willow” is featured in this issue, and it’s fantastic.
Looking for a zombie fix? Like board games? Then look no further than Oh No…Zombies! You can win this game by shambling on over to The Zombie Feed and following the easier-than-easy rules. But be quick, the deadline is tomorrow night, August 13, at midnight.
And while you’re there, consider purchasing a copy of their namesake anthology The Zombie Feed, Vol. 1, which features my story “Goddamn Electric,” as well as tales by Lee Thompson, BJ Burrow, Danger_Slater, and many more.
We have a few contests of our own scheduled. Stay tuned…