Shock Totem #10 (Jan 2016)
- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 1
- Splatterpunk #7
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Tag Archives: Mehitobel Wilson
I first heard the name Mehitobel Wilson during the historic Shock Totem John Skipp interview of 2009, which first appeared in Shock Totem #1. Skipp is a walking Rolodex of information, and hers was a name that was mentioned a few times during the phone call. I added her work to my list of things to seek out.
I finally procured a copy of her collection, Dangerous Red, and now see why Skipp touted it so heavily. Wilson doesn’t just kick ass, she straps on gigantic Herman Munster-style boots with razored cleats and stomps your ass. It is a brilliant collection of fresh dark fiction and then some.
While I liked most of the stories, I will only name check a few. “Cut Glass” is a wondrous ghost story. “Madeline in Effigy” gives us new reasons to second-guess the vain. “Blind in the House of the Headsman” is a gory, sexually-depraved surreal sketch…maybe. “The Mannerly Man” has done its best to make politeness a thing to be fearful of. Then there is my absolute favorite of the collection, “Strays,” which takes on the issue of homelessness and sprinkles it with enough dread and disturbing imagery to give you nightmares for weeks.
Wilson’s prose is quick and artful, the images and ideas strong and haunting. I look forward to reading more from her.
When I came across a copy of his chapbook Redemption Roadshow, I picked it up. Ochse writes in a clean style, and his characters are aching and have a depth you can immediately connect with. This story concerns Dolan Gibb, an Arizona highway patrolman who discovers you can’t outrun guilt and that the past will always catch up. Dolan discovers a group—almost a sideshow troupe—that seem ever present at roadside memorial shrines. Among them is the “Long Cool Woman,” a medium who bridges the space between the living and the dead, with unexpected consequences.
This short tale is so packed with grippingly heavy images, I found myself thinking about it for days after I had finished it.
I also recently rectified the fact that I am sadly under-read in the Tim Lebbon category.
I had read The Nature of Balance, and loved its dark dreamy images and language. When my friend, Simon, recommended The Thief of Broken Toys to me, I listened. I’m glad I did.
In this novella, Lebbon explores the deepening shades of grief and how loss is a thing of many facets. Ray is a broken man, slowly drowning in a self-made sea of loss and alienation. His only son has died and his wife has left him. Every day is a weighted exercise in existence. He comes to believe through honoring promises made to the dead, he can win back the slivers of time and love lost. He begins with the promises to fix his son’s damaged playthings. He then meets the Thief of Broken Toys, who helps in ways unimaginable and teaches him things that can’t be unlearned.
And then things start to change.
Lebbon has created a heartbreaking story with The Thief of Broken Toys. The loss and longing of Ray are painted so adeptly that I felt that heaviness in my chest, tears threatening to show themselves. Very subtle in its horror, but it is indeed there. One of the best, I’ve read this year. Available from Chizine Publications.