Shock Totem #10 (Jan 2016)
- Closing for Submissions
- Shock Totem Returns!
- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
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Tag Archives: Paul Tremblay
It’s been a long time coming, but we are happy to announce that the tenth issue of Shock Totem magazine is available for purchase!
Cover art by Mikio Murakami.
Here is the official Table of Contents:
* Notes from The Editor’s Desk
* Rumor and Shadow: The Haunting of the Everett Mansion, by Barry Lee Dejasu (Article)
* The Henson Curse, by Paul A. Hamilton
* Blue John, by D.K. Wayrd
* Post-Modern Pea Soup: A Conversation with Paul Tremblay, by Catherine Grant
* Three Years Ago This May, by Trace Conger
* Malediction, by Margaret Killjoy
* Sweet William, by Mary Pletsch
* Deerborn, by Leslie J. Anderson (Poetry)
* Strange Goods and Other Oddities (Reviews)
* There’s a Tongue in the Drain, by Roger Lovelace
* Wasps, by Thana Niveau
* Standing Behind the Curtains: A Conversation with T.E.D. Klein, by Barry Lee Dejasu
* The Tall Man, by Eric J. Guignard
* Winter Fever, by Samuel Marzioli
* Bloodstains & Blue Suede Shoes, Part 8, by John Boden and Barry Lee Dejasu (Article)
* The Eavesdropper, by Sarah L. Johnson
* The Last Treehouse, by David G. Blake
* Howling Through the Keyhole (Author Notes)
If you have any questions, please ask. Thanks for your patience and support!
There are currently about nine-hundred and thirty-two Lovecraft-themed anthologies out in the wild, with maybe another seventy in the works. It’s a popular concept. I like Lovecraftian fiction but quite similar to the way over-saturation made me cringe at the word “Zombie,” I’m starting to wince when I hear the “L” word.
When I was asked to review this book, I hesitated until I saw the authors involved. It includes some of my current darlings: Cameron Pierce, Stephen Graham Jones, Jeffrey Ford, and others. The idea of this anthology is refreshing, instead of asking authors to channel their inner Lovecraft they were told to read his famous essay, “Supernatural Horror in Literature,” and then turn in a tale inspired by quotes from it.
So it ain’t all tentacles and fishy mutants. But don’t be all that sad, those things are in here too.
The volume opens with “Past Reno,” by Brian Evenson, in which a man runs both from and toward his past, wanting to claim and also deny his inheritance. Paul Tremblay delivered a short strange tale called “_______” in which a family grows closer in a subtle and unsettling way. Stephen Graham Jones’s hands in “Doc’s Story,” a fantastic story of a family and their curse. Like everything else that the man has written, it’s brilliant.
Cameron Pierce’s “Help Me” is a bizarre and heady tale about a man and his otherworldly catch. Tim Lebbon‘s “The Lonley Wood” is a dark voice in an echoey chamber. Closing out the collection is “The Semi-finished Basement,” by Nick Mamatas, a darkly wry tale of a local group who meet and discuss world demise over cookies and drink…this one has teeth and a great winning smile.
There numerous other tales as well, featuring rituals and sacrifice, evil fairies and demonic beings, monsters and misdeeds. All are pretty good.
Overall this is a satisfying anthology. Editor Jesse Bullington has done a good job of putting together a sharp product, unique in its premise and put together well. The stories are strong and while some are a bit, I’ll say, dry, most go down easy and quick. The number of new writers (defined as names I was not familiar with) is pretty high and I wasn’t disappointed by any of them. If you’re a fan of all things Lovecratian, then make a spot on the shelf for this one.
Available through Stone Skin Press.
The New Black is a collection of twenty neo-noir stories. That is the promise from the back cover of this new anthology put out by the fine folks at Dark House Press and edited by Richard Thomas. No, not the guy who played John Boy on The Waltons. This cat is cooler. Way cooler.
Now, full disclosure: I have no idea what neo-noir means. I don’t much give a flying fig about genres and sub-genres and their sub-genres. I like good stories, interesting stories. I love strange stories, especially. And I loved this anthology. Loved!
After a forward by Laird Barron, we get to the stories. Opening with a tragic and deeply troubling tale by Stephen Graham Jones, “Father Son, Holy Rabbit,” which stuck in my head for days! This is followed by Paul Tremblay’s “It’s Against the Law to Feed the Ducks.” Another gut-puncher of a story about loss and regret and fear…and love. I almost jumped ship after this one, as I was not sure I could troop through another eighteen tales of this caliber of heartbreak. But I soldiered on.
Lindsay Hunter’s “That Baby” is a sideshow freakazoid parental nightmare. “The Truth and All It’s Ugly,” by Kyle Minor, is a disorienting re-tooling of Pinocchio or Blade Runner. Kind of. Craig Clevenger’s “Act of Contrition” gives faith fangs and something sharper and deadlier. With “The Familiars,” author Micaela Morrissette delivers what is my favorite of the bunch, a stunningly beautiful and terrifying tale of a child and his imaginary friend. Really, this one will knock you out.
“Dial Tone,” by Benjamin Percy, is a tale of loneliness and loss of one’s self. Roxane Gay’s “How” is a unique and wonderfully odd little story told in short instructional blocks. Roy Kesy’s “Instituto” is about vanity and its ultimate price. Craig Davidson’s “Rust and Bone” concerns a boxer and revenge. “Blue Hawaii,” by Rebecca Jones-Howe, is a scathing diorama of a deeply flawed pair and their demons. Joe Meno’s “Children Are the Only Ones Who Blush,” is a stunning and strange drama about an ostracized and pained young man and his struggles with getting on in his world.
“Christopher Hitchens,” by Vanessa Veselka, tackles faith and loss and stars grief and dolphins. “Dollhouse,” by Craig Wallwork, is an effective haunted house story, and that’s a very simplified synopsis. Trust me. “His Footsteps Are Made of Soot,” by Nik Korpon, is a haunting tale of home surgery, resentment, and mortality. Tara Laskowski’s “The Etiquette of Homicide” is a how-to guide to being a killer for hire. This story has one of the best last lines EVER!
“Dredge,” by Matt Bell, shows us a twisted glimpse into the lonely and odd circumstances of a sad man and the dead girl he finds. Antonia Crane turns in the metaphorically titled “Sunshine for Adrienne,” wherein we wallow in the tragic misery of a very broken girl. Richard Lange’s “Fuzzyland” is a brutal excursion into denial and running from yourself. And then we hit the final story, Brian Evenson’s “Windeye,” a delirious nightmare about a house with an extra window.
The New Black is a great collection of incredibly unique fiction. I honestly liked every story in here, and I usually don’t say that about an anthology. It was also nice to encounter so many authors with whom I was unfamiliar. A strong compilation of talent. Very strong.