- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 1
- Splatterpunk #7
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Tag Archives: S.R. Mastrantone
We are very proud to announce the release of our ninth issue!
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In this ninth issue of Shock Totem you will find not only a brand new, previously unpublished tale by Stephen Graham Jones, but also an interview with this modern master of words. Kathryn Ohnaka presents “Buddy,” a twisting, slithering serpent of a tale. The words are pure poetry, with fangs. “Saturday,” by Evan Dicken, follows, creeping and crawling and filled with Things that whisper of doom.
Similar whisperings can be heard in Bracken MacLeod’s “Thirteen Views of the Suicide Woods” and most of you will know the voices. Tim Lieder’s darkly rhythmic “Hey Man” will get you toe-tapping and “in the mood.” With a touch of science fiction, Emma Osborne’s “The Box Wife” is sure to leave you uncomfortable. The box wife is one and many, but you’ll recognize all.
Stephen King once called Jack Ketchum “the scariest guy in America.” What scares the scariest guy in America? Karen Runge. And you’ll know why after reading “Good Help.” Peter Gutiérrez provides the poetry with his outstanding “Anteroom.” Closing out the fiction in this issue is S.R. Mastrantone’s “Alan Roscoe’s Change of Heart,” a tale that chips away at a well-mined vein–the near-death experience–but manages to produce an untouched gem.
In addition to the previously-mentioned conversation with Stephen Graham Jones, F. Paul Wilson is also interviewed. The seventh installment of our music-meets-horror serial, “Bloodstains & Blue Suede Shoes,” tackles the 80s and Catherine Grant provides the editorial, a scary piece that hits close to home for creators and readers of horror.
All that and more!
Here is the official Table of Contents:
* Unacceptable Content, by Catherine Grant (Editorial)
* Buddy, by Kathryn Ohnaka
* Saturday, by Evan Dicken
* Morning Books and Evening Books: A Conversation with F. Paul Wilson, by Barry Lee Dejasu
* Thirteen Views of the Suicide Woods, by Bracken MacLeod
* Anteroom, by Peter Gutiérrez (Poetry)
* Strange Goods and Other Oddities (Reviews)
* Hey Man, by Tim Lieder
* The Nightmare Rolls On: A Conversation with Stephen Graham Jones, by Zachary C. Parker
* You Are Here, by Stephen Graham Jones
* The Box Wife, by Emma Osborne
* Bloodstains & Blue Suede Shoes, Part 7, by John Boden and Bracken MacLeod (Article)
* Good Help, by Karen Runge
* Alan Roscoe’s Change of Heart, by S.R. Mastrantone
* Howling Through the Keyhole (Author Notes)
As always, thank you for your continued support!
Please note that if you buy the print edition through Amazon.com, you will also receive the Kindle edition for free.
Being aware of the competition is one of the first things they teach in business classes. One of the magazines that Shock Totem is sometimes mentioned with is Lamplight. Edited by Jacob Haddon, Lamplight delivers short fiction and classic public domain tales that are usually—and wrongfully—long forgotten. These are corralled with great interviews and a series of non-fiction pieces written by J.F. Gonzalez that chronicle varying stages and movements in horror literary history. Very inspirational and educational work there.
This compendium gathers all printed work from Lamplight’s first year, four issues, and most of it is quite good. From Kevin Lucia’s staggering tale of guilt, regret and the special ghosts they make to Elizabeth Massie’s story “Flip Flap,” which is quite a wonderful tale of sideshow revenge. Robert Ford gives revenge a new face and it’s muddied with garden soil. Kelli Owen’s “Spell,” which I raved about when I reviewed her collection last year, is still one of my favorite short stories of all time. Brilliant and harrowing.
Nathan Yocum hands in one of the saddest and sweetest apocalyptic tales I’ve ever read in “Elgar’s Zoo.” In and around these tales are numerous others. William Meikle’s retro-styled “The Kelp” buoys alongside Tim Leider’s angry rantosaurus of a tale, “A Gun to Your Head.” The stories are all fairly solid. In fact, were I to harbor any sort of negative criticism at all, it would be the directed at the interviews, rather the lack of creativity in them. The same questions are asked of each author. Very little interplay, which makes them come off sort of contrived. As an interviewer myself, I know they can be a bitch to nail. I hope that in time this fellow learns to inject a little personality in the mix.
Overall, Lamplight is a great publication with a fine eye for dark fiction. A comrade more than competition. In this business, we need more of the former and less of the latter. We’re all on the same ship, in the same choppy waters, and I would gladly share a lifeboat with Lamplight. Give them a shot.