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Tag Archives: Shrieks and Shivers from the Horror Zine
The Horror Zine’s latest short story anthology, Shrieks and Shivers from the Horror Zine, edited by Jeani Rector and printed by Post Mortem Press, is allegedly also their final one. Listed as “the scariest book that [they have] ever produced” on the Zine’s website, there are some big-name authors to be found here, including Elizabeth Massie, P.D. Cacek, Tom Piccirilli, Ray Garton, and Joe McKinney, alongside many other, newer and lesser-known authors.
There were stories in this anthology that particularly stood out. Martin Rose’s opener, “Tapeworm,” had me squirming with its subdued, suggested-but-not-seen horrors. Eric J. Guignard’s “One Last Tweet” was a delightfully disorienting second-person story-cum-postmodern social commentary about our Internet age. Elizabeth Massie’s “Squatters” was a solid, old-fashioned tale of a vile man getting his just desserts. P.D. Cacek’s “Somniphobia” was a fun, hallucinatory ride through night (and day) terrors. At first glance, Nathan Robinson’s “Old Haunts” was a typically gory zombie apocalypse tale, until it cleverly asks the reader to wonder just who is narrating the story. And let’s just say that Ray Garton’s “Parasites” is NOT a story to be read in the bathroom.
I have to admit that going into this anthology I was fairly stoked, but ultimately, I was a bit disappointed. A number of the stories just didn’t groove with me, often suffering from the common storytelling problem of “too much tell, not enough show.” Others were too heavy-handed with their horror delivery. Now, every multiple-author story anthology runs the risk of having some stories that don’t work for every reader; it’s a given evil in any art field. In this case, however, the sheer number of weaker stories hurt my overall opinion of the anthology.
Bentley Little’s introduction, in which he all but literally admits that he’s only included for cosmetic purposes, didn’t help. “I haven’t read any of the stories in this anthology,” he states in his opening paragraph. “I don’t even know the names of the authors contributing to this volume.” His admission left me desiring a more dedicated introduction, be it by Little or someone else. His lack of enthusiasm didn’t help my overall opinion of the stories and my feelings of their quality.
Furthermore, the book’s early inclusion of an essay by John Russo, co-scribe of George A. Romero’s Night of the Living Dead (1968), was another touch that didn’t quite work. Russo rambles about zombies, and how they’ve changed over the years, yet not once does he mention the following stories, nor Jeani Rector, nor anything else to do with this anthology. Beyond being another big name, its inclusion is not clearly justified.
For all of its content (over 30 stories in all), Shrieks and Shivers from the Horror Zine felt like it was assembled with quantity in mind, rather than a strong sense of overall quality. Here’s to hoping that it isn’t truly The Horror Zine’s final anthology, if nothing else than for the hopes of a more proper send-off.