Shock Totem #10 (Jan 2016)
- Apex Publications Acquires Shock Totem Book Line
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 8
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 7
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 6
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 5
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 4
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 3
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 2
- The Head, the Tail, the Whole Damn Thing: Musings on Jaws, Part 1
- Splatterpunk #7
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Tag Archives: T.E.D. Klein
It’s been a long time coming, but we are happy to announce that the tenth issue of Shock Totem magazine is available for purchase!
Cover art by Mikio Murakami.
Here is the official Table of Contents:
* Notes from The Editor’s Desk
* Rumor and Shadow: The Haunting of the Everett Mansion, by Barry Lee Dejasu (Article)
* The Henson Curse, by Paul A. Hamilton
* Blue John, by D.K. Wayrd
* Post-Modern Pea Soup: A Conversation with Paul Tremblay, by Catherine Grant
* Three Years Ago This May, by Trace Conger
* Malediction, by Margaret Killjoy
* Sweet William, by Mary Pletsch
* Deerborn, by Leslie J. Anderson (Poetry)
* Strange Goods and Other Oddities (Reviews)
* There’s a Tongue in the Drain, by Roger Lovelace
* Wasps, by Thana Niveau
* Standing Behind the Curtains: A Conversation with T.E.D. Klein, by Barry Lee Dejasu
* The Tall Man, by Eric J. Guignard
* Winter Fever, by Samuel Marzioli
* Bloodstains & Blue Suede Shoes, Part 8, by John Boden and Barry Lee Dejasu (Article)
* The Eavesdropper, by Sarah L. Johnson
* The Last Treehouse, by David G. Blake
* Howling Through the Keyhole (Author Notes)
If you have any questions, please ask. Thanks for your patience and support!
I had the pleasure of hearing Mary SanGiovanni read from Chaos at the Scares That Care! convention a few months ago. After the reading (and much discussion about haunted mental asylums, creepy places, and eyebrow bugs), I got a copy.
The tone, style, and vibe of the book took me back to 80’s pulp horror, though the setting is contemporary.
Chaos tells the story of Bridgewood Estates, built upon the grounds that were once home to Bridgewood Asylum before it was torn down. The asylum once being the setting for a grotesque and horrific explosion of violence. Now, only the old office ward remains. Unluckily for the tenants, something evil still stains the grounds, and has for decades.
Upon moving in, Myrinda and her boyfriend are greeted warmly by the neighbors. The old lady across the hall nervously extols the virtues of the place, but then the things that haunt the building loosen her nerve and she tries to warn Myrinda about what she’s moved into.
And soon the other residents begin to have their own sinister encounters: the writer who begins seeing the woman shambling in the yard, without feet or hands; the ex-cop who begins a blood-drenched courtship with the mysterious woman in 2-C, a courtship of sticky notes and gifts of flesh; the man who is ordered to murder his wife by the man on the TV. All of these characters and events weave a tale of paranoia and terror.
Bridgewood is the site of a hole between dimensions and the neighbors that are coming through are far from friendly. They’re insane and malicious. It will take all the courage the young couple can muster to try to resolve things before it’s too late for them and the other dwellers of Bridgewood Estates.
Having read a few of SanGiovanni’s earlier works and enjoyed them, I found Chaos to be a bit different. Whether or not it was intentional this seemed to have a nostalgic sense about it. As I stated at the opening, it reminded me of the “evil in a small town” kind of novels I devoured as a teen (and sometimes as an adult): Salem’s Lot, The Wicked, The Ceremonies…that sort of thing.
The writing is strong and vivid, with well-drawn characters and events. It was a great B-movie of a novel, fun and frightening. Probably excellent with popcorn.
Chaos is available directly through www.marysangiovanni.com.